An enjoyable, cranky novel about an unwilling unscripted television actor.
A former reality star is forced to return to the show that once destroyed his personal life in this comic novel by Schild (Aversion Therapy, 2012).
Eight years ago, Mick Rhodes became famous—or infamous—for an incident that occurred on the reality television show House Rules. Mick walked in on his fiancee, Molly Gipson, in bed with another man, Parker Peppercorn, and promptly engaged Parker in a fistfight. The scene became the stuff of trash TV legend—“Entertainment Weekly dubbed the ‘Parker and Mick incident’ as its number two most unbelievable moment in reality television history”—and Mick has spent the years since hiding away from the public eye behind the desk of his comic-book shop. When his old cast mate and only real friend, Annie Windham, begs him to participate in a House Rules reunion, Mick agrees despite his better judgment. The catch is, the show is formatted as a road trip. This means that he’ll be living in an RV for two and a half weeks with the rest of the cast, including Parker and Molly. As Mick is forced to complete asinine challenges during the day and ignore the sounds of Parker and Molly’s attention-seeking lovemaking at night, he tries to figure out how to survive the trip with his dignity intact. Then he finds out Annie’s husband is talking divorce, and Mick discovers that he is not immune to a bit of reality show intrigue himself. Schild’s prose is light and smooth, animating comic book–loving Mick’s bitter voice: “I didn’t really care if I was intruding at this point, so I wandered over to the pair as if it were not patently obvious they were squabbling like Batman and Talia al Ghul.” The superhero obsession reads as rather generic in these days of the movies pouring forth from the Marvel Cinematic Universe, but Schild manages to fill the book with all the hookups, betrayals, and hijinks that one desires from an actual reality show. The author keeps the plot moving while still managing to wring some surprisingly astute comments on contemporary life out of the reality TV metaphor.
An enjoyable, cranky novel about an unwilling unscripted television actor.Pub Date: N/A
ISBN: 978-1-73385-419-1
Page Count: -
Publisher: Headlong Into Harm Press
Review Posted Online: Jan. 14, 2020
Review Program: Kirkus Indie
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Genetically engineered dinosaurs run amok in Crichton's new, vastly entertaining science thriller. From the introduction alone—a classically Crichton-clear discussion of the implications of biotechnological research—it's evident that the Harvard M.D. has bounced back from the science-fantasy silliness of Sphere (1987) for another taut reworking of the Frankenstein theme, as in The Andromeda Strain and The Terminal Man. Here, Dr. Frankenstein is aging billionaire John Hammond, whose monster is a manmade ecosystem based on a Costa Rican island. Designed as the world's ultimate theme park, the ecosystem boasts climate and flora of the Jurassic Age and—most spectacularly—15 varieties of dinosaurs, created by elaborate genetic engineering that Crichton explains in fascinating detail, rich with dino-lore and complete with graphics. Into the park, for a safety check before its opening, comes the novel's band of characters—who, though well drawn, double as symbolic types in this unsubtle morality play. Among them are hero Alan Grant, noble paleontologist; Hammond, venal and obsessed; amoral dino-designer Henry Wu; Hammond's two innocent grandchildren; and mathematician Ian Malcolm, who in long diatribes serves as Crichton's mouthpiece to lament the folly of science. Upon arrival, the visitors tour the park; meanwhile, an industrial spy steals some dino embryos by shutting down the island's power—and its security grid, allowing the beasts to run loose. The bulk of the remaining narrative consists of dinos—ferocious T. Rex's, voracious velociraptors, venom-spitting dilophosaurs—stalking, ripping, and eating the cast in fast, furious, and suspenseful set-pieces as the ecosystem spins apart. And can Grant prevent the dinos from escaping to the mainland to create unchecked havoc? Though intrusive, the moralizing rarely slows this tornado-paced tale, a slick package of info-thrills that's Crichton's most clever since Congo (1980)—and easily the most exciting dinosaur novel ever written. A sure-fire best-seller.
Pub Date: Nov. 7, 1990
ISBN: 0394588169
Page Count: 424
Publisher: Knopf
Review Posted Online: Sept. 21, 2011
Kirkus Reviews Issue: Oct. 15, 1990
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