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INSANE CLOWN PRESIDENT

DISPATCHES FROM THE 2016 CIRCUS

A lively set of dispatches that shows how even the harshest skeptic in the pundit class can be blindsided.

Looking back in bemusement and (eventually) anger at the 2016 presidential campaign with Rolling Stone’s pugnacious political correspondent.

This collection of long- and short-form reports by Taibbi (The Divide: American Injustice in the Age of the Wealth Gap, 2014, etc.) unfolds as a comedy that slowly turns into a horror movie. In August 2015, he was having a sardonic laugh at the “GOP clown car,” the dire assortment of Republican presidential candidates. Sure, the presence of Donald J. Trump in the field ran the risk of his becoming “the most dangerous person in America.” But even up until Election Day, Taibbi never quite believed Trump had a chance at the White House. Early on in the race, he was casually establishing debate drinking-game rules and speculating about (of all things) who’d play John Kasich in the movie version of the campaign. Once Taibbi began attending Trump’s rageoholic populist rallies in early 2016, though, he sobered up and delivered a darker vision of a country menaced by media manipulation. Vivid zingers remain Taibbi’s calling card: George Will is an “establishment GOP spokesghoul,” and he likens Trump spokesperson Katrina Pierson’s rhetorical contortions to “a kitten try[ing] to crawl out of a wood-chipper.” Though he expends most of his powder on conservatives, the author wasn’t much impressed with Hillary Clinton either: he criticizes his employer’s official endorsement of her, arguing that “she has been playing the inside game for so long, she seems to have become lost in it.” Taibbi is cleareyed about the populist forces and fractured media landscape Trump exploited, but given his admission of underestimating Trump’s chances, his first-chapter victory lap, which annotates a chapter from his 2008 book, The Great Derangement, to show how much he’s correctly predicted, feels defensive if not unseemly.

A lively set of dispatches that shows how even the harshest skeptic in the pundit class can be blindsided.

Pub Date: Jan. 16, 2017

ISBN: 978-0-399-59246-1

Page Count: 352

Publisher: Spiegel & Grau

Review Posted Online: Jan. 23, 2017

Kirkus Reviews Issue: Feb. 1, 2017

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A PEOPLE'S HISTORY OF THE UNITED STATES

For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.

Pub Date: Jan. 1, 1979

ISBN: 0061965588

Page Count: 772

Publisher: Harper & Row

Review Posted Online: May 26, 2012

Kirkus Reviews Issue: Jan. 1, 1979

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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