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LIBRARY

AN UNQUIET HISTORY

A must for every home or institutional collection. (11 illustrations)

Historical survey by a rare-book librarian of the defining epochs and events leading to both the destruction and proliferation of libraries.

Rebutting the stereotype of a silent sanctum in which mousy librarians maintain perfect order, the author reminds us how chaotic and impermanent these repositories of accumulated knowledge are. He contends that a library, “a world, complete and uncompletable,” draws its reason for existence from the culture in which it arises, a situation as liable to shifting social currents as the edifice housing it is subject to weather and other disasters, both natural and man-made. Battles follows the notorious “biblioclasms” of past ages, from the burning of the library at Alexandria to the bonfires of the Nazis, who destroyed more than 100 million books. He asserts that “most books are bad, very bad in fact,” and bemoans their inability to surmount the babble of their times. He does not, however, suggest that their fates are deserved; rather, that an ironic result of gathering so many volumes in a single place is that it makes them ready targets for revisionist fervor. Many small collections in obscure and scattered locations, on the other hand, ensure that more books will survive the onslaught of marauding princes, vengeful dictators, and fanatical clerics. Among the other ironies the author points out: many of the scrolls in Herculaneum survived the volcano of a.d. 79 because they burned, thereby making the charred remains amenable to spectral photography, which rendered their ancient text visible, while intact scrolls of the same age have long since crumbled into dust. Battles points out that books have always been an ephemeral experience: older manuscripts and proscribed texts were often recycled or reused, the imperfect palimpsests still visible to later readers. Yet he seems to lament the onset of the digital age, with its 800-million-page archive, by attesting that libraries now exist in a “state of flux which is indistinguishable from a state of crisis.”

A must for every home or institutional collection. (11 illustrations)

Pub Date: June 1, 2003

ISBN: 0-393-02029-0

Page Count: 256

Publisher: Norton

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: April 15, 2003

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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