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THE UNBUDGEABLE CURMUDGEON

Explorations of bad moods can be potent source material, but this jumbled attempt will give curmudgeons one more thing to...

Grouchy siblings try to shake each other in and out of bad moods.

Bouncing, irregularly rhyming text that pops with soft-G sounds explores the different ways of getting someone out of a grump-spiral. “You might ask the curmudgeon / if he wouldn’t mind scooching / over a smidgen.” Or: “Hugs can budge curmudgeons,” and if all else fails, “Some say, / ‘If you can’t budge ’em, / join ’em.” The curmudgeon (defined in the beginning as “A bad-tempered, difficult, cranky person”) looks like a fanged and furry orange monster that slowly distills into a white child with red hair as their mood improves. Their sibling, initially presented as human, then begins their own transformation as their mood sours, growing fangs and fuzzy, clawful paws. The art in this story is rich and satisfying, created with stamps and blow pens, and it practically bursts off the page. The text is less engaging, sometimes feeling contrived and other times cloying or preachy. The thin story closes with “It can be tricky / to get the gunk off / the funkiest funks, / but once a curmudgeon / begins to budge… // …you’d be surprised how quickly… / the grouchiness can vanish!” It’s an awfully chipper signoff for a book that’s supposedly about inveterate grumps. The siblings, with red hair that matches the curmudgeon’s fuzz, both present white.

Explorations of bad moods can be potent source material, but this jumbled attempt will give curmudgeons one more thing to complain about. (Picture book. 4-6)

Pub Date: March 12, 2019

ISBN: 978-0-399-55662-3

Page Count: 32

Publisher: Knopf

Review Posted Online: Oct. 27, 2018

Kirkus Reviews Issue: Nov. 15, 2018

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FIRST NIGHT OF HOWLERGARTEN

A playful, funny, and heartfelt tale to soothe the back-to-school blues.

A young lycanthrope frets about the first night of school.

It’s time for Sophie to head off to howlergarten for her first full moon—but what if she fails to transform into a werewolf like her parents? She worries about being away from her parents, too, but she meets new friends, participates in werewolf training (which entails tracking scents, moving like a wolf, and listening “to the whispers of the wind”), and survives her first full moon. Warm and empathetic Sophie even offers reassurance to a classmate who doesn’t transform. Shum’s story is a sweetly encouraging and appealing take on the perennial topic of first-day-of-school jitters. Though the book features werewolves, Sophie is relatable, her concerns—separation anxiety, fears that she won’t fit in or do well at school—likely to resonate with many youngsters. The illustrations alternate between full- and half-page spreads and vignettes; the use of panels on one page gives the book the feel of comics. Though the main characters are werewolves, they’re nevertheless an endearing bunch, sweet and furry, with oversized round heads and sturdy bodies. One adorable scene shows Sophie and the other children at howlergarten snoozing, curled up like pups rather than kids. Sophie’s mom has dark brown skin, while Sophie and her father are tan-skinned. The howlergarten students are diverse. (This book was reviewed digitally.)

A playful, funny, and heartfelt tale to soothe the back-to-school blues. (Picture book. 4-6)

Pub Date: Aug. 8, 2023

ISBN: 9780593521274

Page Count: 32

Publisher: Penguin Workshop

Review Posted Online: May 10, 2023

Kirkus Reviews Issue: June 1, 2023

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THE PRUWAHAHA MONSTER

While there are clever visuals and excellent cartoon-villain laughter, this book fails to deliver a satisfying story.

This Belgian picture-book debut introduces a boy who loves to swing, his father, and a monster.

Readers first see the white duo bundled in hats and long scarves. Then the father disappears, and the focus shifts to the swinging child and the (initially offstage) titular monster: it smells “of sprouts and old slippers,” and it likes to eat children. The limited palette for the woodland images and backgrounds features mint green, orange, black, white, and tan. Each spread is carefully coordinated, and pattern trumps perspective. The narrative and image placement are sometimes disjointed or confusing, as when two separate domiciles are mentioned in the text but only one is depicted. A little further on, the text on a double-page spread is merely a repetitive list—a search-and-find. The monster enters as a shadow, his long, wavy arms grasping at the swinging child. The boy keeps laughing as the creature repeatedly howls a longer version of the titular nonsense word—a humorous sound to produce—to no avail. In a perplexing penultimate scene, the monster returns home, embarrassed at having failed to frighten the child. (Showing an actual creature is inconsistent with prior treatment and the gag). Father and son leave, anticlimactically, casting scarf shadows that resemble outstretched arms.

While there are clever visuals and excellent cartoon-villain laughter, this book fails to deliver a satisfying story. (Picture book. 4-6)

Pub Date: Oct. 4, 2016

ISBN: 978-1-77138-566-4

Page Count: 26

Publisher: Kids Can

Review Posted Online: July 1, 2016

Kirkus Reviews Issue: July 15, 2016

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