by Matthew Chapman ‧ RELEASE DATE: April 1, 2007
Passionate and engaged, but Edward Humes’s Monkey Girl (2007) covers the same ground with equal readability and a less...
A blow-by-blow account by Charles Darwin’s great-great-grandson of the trial that pitted parents and teachers against the anti-evolutionist members of the Dover, Penn., school board who voted to give intelligent design a nod in science courses.
Chapman writes like the screenwriter and director he is, generating scene after scene of courtroom drama with you-are-there immediacy, thanks to vivid sketches of the principals and astute use of verbatim testimony. What makes the account sad but also ominous was the extent to which ignorance and arrogance combined in the fundamentalist board members to stir dissension in the community, inspiring screaming matches, you-are-damned letters and outright threats to the plaintiffs and their supporters. The conduct of the trial itself was exemplary, presided over by the eminently fair and intelligent Judge John Jones, whose occasional displays of dry humor helped relieve tension. (When queried about the portentous biblical association of the 40 days and 40 nights the trial lasted, Jones quipped that it was not “by design.”) Both sides recruited star lawyers: seasoned civil liberties defenders for the plaintiffs, lawyers from the Thomas More Law Center for the defense. In the end, expert witnesses for the plaintiffs carried the day, brilliantly parrying the thrusts of defense lawyers Chapman depicts as dysfunctional, often abrasive and no match for the experts’ intellectual rigor. The author is by no means a neutral observer; indeed, this reportorial work is as self-absorbed as his memoir, Trials of the Monkey (2001). Chapman too often inserts his personal history and the emotional reactions he had to the many he interviewed, even confessing his liking for some of the most extreme bigots. What’s more, he would vote to include creationism in science classes, so that the principles of science itself could defeat it—and strike a blow against the rising tide of evangelicalism in America.
Passionate and engaged, but Edward Humes’s Monkey Girl (2007) covers the same ground with equal readability and a less obtrusive authorial voice.Pub Date: April 1, 2007
ISBN: 0-06-117945-0
Page Count: 288
Publisher: Collins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 2007
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by David Grann ‧ RELEASE DATE: April 18, 2017
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
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Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorkerstaff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
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BOOK TO SCREEN
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BOOK TO SCREEN
by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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by Howard Zinn ; adapted by Rebecca Stefoff with by Ed Morales
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by Howard Zinn with Ray Suarez
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by Howard Zinn
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