Quirky and heartwarming, but thin.
An imaginary friend can be the best friend a boy’s got. But how can an imaginary friend help when the boy faces very real danger?
Max, 8, is on the autism spectrum. His loving parents struggle to make a secure life for him, although his father cannot quite face that his son is different. Max is able to cope with the close quarters of public school, the unpredictable people and the surprises of everyday life with the help of not only his parents, but also his teacher, Mrs. Gosk, and his imaginary friend, Budo. Told from Budo’s perspective, Dicks’ (Unexpectedly, Milo, 2010, etc.) latest novel explores the interior life of an imaginary friend, and imaginary friends have one overriding concern: What will happen to them when their imaginer forgets them? Budo is lucky that Max imagined him fully; a lot of the other friends he meets are missing ears, feet or even recognizable bodies. Max also imagined Budo as a bit older than himself, and this slightly more mature perspective comes in very handy when things go wrong for Max. Budo is a lifesaver. Literally. Budo helps Max find words, stops him from running out into traffic, and even helps him survive a terrifying encounter with the fifth-grade bully, Tommy Swinden, in a bathroom stall. But Budo is thwarted when Max begins to meet with Mrs. Patterson, an assistant teacher, in her car. Privately. During the school day. And Max won’t let Budo come along. Suddenly, Max disappears. This time, Budo will have to go out into the world alone, and since he cannot interact with any adults, he will have to rely on the imaginary friends of other children to save Max. Budo is charming, but Dick’s previous novels have treated eccentric characters with more success. The childlike perspective and simplistic syntax of this novel clash with its quite adult concerns of autism and child abduction.
Quirky and heartwarming, but thin.Pub Date: Aug. 21, 2012
ISBN: 978-1-250-00621-9
Page Count: 320
Publisher: St. Martin's
Review Posted Online: July 21, 2012
Kirkus Reviews Issue: Aug. 1, 2012
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
The story's very ambiguity steadily feeds its mysteriousness and power, and Danielewski's mastery of postmodernist and...
An amazingly intricate and ambitious first novel - ten years in the making - that puts an engrossing new spin on the traditional haunted-house tale.
Texts within texts, preceded by intriguing introductory material and followed by 150 pages of appendices and related "documents" and photographs, tell the story of a mysterious old house in a Virginia suburb inhabited by esteemed photographer-filmmaker Will Navidson, his companion Karen Green (an ex-fashion model), and their young children Daisy and Chad. The record of their experiences therein is preserved in Will's film The Davidson Record - which is the subject of an unpublished manuscript left behind by a (possibly insane) old man, Frank Zampano - which falls into the possession of Johnny Truant, a drifter who has survived an abusive childhood and the perverse possessiveness of his mad mother (who is institutionalized). As Johnny reads Zampano's manuscript, he adds his own (autobiographical) annotations to the scholarly ones that already adorn and clutter the text (a trick perhaps influenced by David Foster Wallace's Infinite Jest) - and begins experiencing panic attacks and episodes of disorientation that echo with ominous precision the content of Davidson's film (their house's interior proves, "impossibly," to be larger than its exterior; previously unnoticed doors and corridors extend inward inexplicably, and swallow up or traumatize all who dare to "explore" their recesses). Danielewski skillfully manipulates the reader's expectations and fears, employing ingeniously skewed typography, and throwing out hints that the house's apparent malevolence may be related to the history of the Jamestown colony, or to Davidson's Pulitzer Prize-winning photograph of a dying Vietnamese child stalked by a waiting vulture. Or, as "some critics [have suggested,] the house's mutations reflect the psychology of anyone who enters it."
The story's very ambiguity steadily feeds its mysteriousness and power, and Danielewski's mastery of postmodernist and cinema-derived rhetoric up the ante continuously, and stunningly. One of the most impressive excursions into the supernatural in many a year.Pub Date: March 6, 2000
ISBN: 0-375-70376-4
Page Count: 704
Publisher: Pantheon
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 2000
A modern day fable, with modern implications in a deceiving simplicity, by the author of Dickens. Dali and Others (Reynal & Hitchcock, p. 138), whose critical brilliance is well adapted to this type of satire. This tells of the revolt on a farm, against humans, when the pigs take over the intellectual superiority, training the horses, cows, sheep, etc., into acknowledging their greatness. The first hints come with the reading out of a pig who instigated the building of a windmill, so that the electric power would be theirs, the idea taken over by Napoleon who becomes topman with no maybes about it. Napoleon trains the young puppies to be his guards, dickers with humans, gradually instigates a reign of terror, and breaks the final commandment against any animal walking on two legs. The old faithful followers find themselves no better off for food and work than they were when man ruled them, learn their final disgrace when they see Napoleon and Squealer carousing with their enemies... A basic statement of the evils of dictatorship in that it not only corrupts the leaders, but deadens the intelligence and awareness of those led so that tyranny is inevitable. Mr. Orwell's animals exist in their own right, with a narrative as individual as it is apt in political parody.
Pub Date: Aug. 26, 1946
ISBN: 0452277507
Page Count: 114
Publisher: Harcourt, Brace
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: Aug. 1, 1946
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