Readers will want to head out to discover a collection of their own.
What’s a fox kit to do when show and tell is all about collections and he doesn’t have one?
Poor Lawrence freezes when his teacher makes the announcement. His animal classmates are giddy with excitement and quickly chime in with what they will bring: playing cards, coins, ribbons, combs (the sheep’s collection!), and marbles. The fox’s body language, sad face, and silence say it all when they ask him what he will bring. At home, Papa consoles Lawrence and tells him he knows a place to find a collection. The next day, the two set off into the forest. But their first few attempts fail, then it begins to rain, and then Lawrence and his papa become separated. But while the small fox is without his papa, he is not alone. His whispered and hallooed comments get replies from the trees, which shower him with leaves. Lawrence is fascinated by their many colors and shapes—it’s the perfect collection for show and tell…and to share among his equally fascinated classmates. Salati’s illustrations, drawn with pencil and colored digitally, have a soft, textured look. The animals are thin and angular, walking on two legs (though only adults sport clothing), and the colors are muted, but the characters express clear emotion. Rear endpapers show labeled outlines of the leaves of 14 trees.
Readers will want to head out to discover a collection of their own. (Picture book. 4-7)Pub Date: April 9, 2019
ISBN: 978-1-4847-8058-9
Page Count: 48
Publisher: Disney-Hyperion
Review Posted Online: Jan. 27, 2019
Kirkus Reviews Issue: Feb. 15, 2019
Serve this superbly designed title to all who relish slightly scary stories.
Kids know vegetables can be scary, but rarely are edible roots out to get someone. In this whimsical mock-horror tale, carrots nearly frighten the whiskers off Jasper Rabbit, an interloper at Crackenhopper Field.
Jasper loves carrots, especially those “free for the taking.” He pulls some in the morning, yanks out a few in the afternoon, and comes again at night to rip out more. Reynolds builds delicious suspense with succinct language that allows understatements to be fully exploited in Brown’s hilarious illustrations. The cartoon pictures, executed in pencil and then digitally colored, are in various shades of gray and serve as a perfectly gloomy backdrop for the vegetables’ eerie orange on each page. “Jasper couldn’t get enough carrots … / … until they started following him.” The plot intensifies as Jasper not only begins to hear the veggies nearby, but also begins to see them everywhere. Initially, young readers will wonder if this is all a product of Jasper’s imagination. Was it a few snarling carrots or just some bathing items peeking out from behind the shower curtain? The ending truly satisfies both readers and the book’s characters alike. And a lesson on greed goes down like honey instead of a forkful of spinach.
Serve this superbly designed title to all who relish slightly scary stories. (Picture book. 4-7)Pub Date: Aug. 21, 2012
ISBN: 978-1-4424-0297-3
Page Count: 40
Publisher: Simon & Schuster
Review Posted Online: May 1, 2012
Kirkus Reviews Issue: Aug. 1, 2012
Nice enough but not worth repeat reads.
Emma deals with jitters before playing the guitar in the school talent show.
Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)
Nice enough but not worth repeat reads. (Picture book. 4-6)Pub Date: March 29, 2022
ISBN: 978-0-593-35207-6
Page Count: 40
Publisher: Razorbill/Penguin
Review Posted Online: Feb. 8, 2022
Kirkus Reviews Issue: March 1, 2022
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