Long after you’ve given up ever being able to make sense of this tangle of horrors, Farrell keeps you turning the pages.
The killing of a New York police officer during a routine traffic stop turns out to be the tip of a very cold, very massive iceberg.
Pulling over Cindy Garland for speeding, Trooper Patrick Kincaid finds blood on her hands, on her clothes, and on the lid of her car’s trunk. Before he can make her open the trunk, he’s struck down by Trevor Foster, who’s been forced to help Cindy dispose of the body in her car by the mysterious Hagen, who’s kidnapped his wife and child. This is only the latest in a rash of abductions stretching back to 1982, when Cindy’s sister, Sonia, disappeared. Since then, Bonnie Bernstein, Marcus Ruley, and Tiffany Greene have all vanished—maybe at the hands of retired schoolteacher James Darville. Now James and his visiting nurse, Rebecca Hill, are gone as well. A series of interpolated sections show present and past events from James’ point of view, but since James has Alzheimer’s, his memories are unreliable, incomplete, and riddled with gaps and fabulations, whether he’s struggling to remember things on his own or being pressed by others—a compelling metaphor for bewildered readers’ own experience. Forced into kidnapping and murder to protect their loved ones, Cindy and Trevor may only be acting out the latest stage of a series of crimes that stretches back as far as the eye can see. No wonder Investigator Susan Adler and ex–forensics specialist Liam Dwyer are utterly overshadowed by the dark web they’re sucked into.
Long after you’ve given up ever being able to make sense of this tangle of horrors, Farrell keeps you turning the pages.Pub Date: Sept. 1, 2020
ISBN: 978-1-5420-1976-7
Page Count: 352
Publisher: Thomas & Mercer
Review Posted Online: June 30, 2020
Kirkus Reviews Issue: July 15, 2020
BOOK REVIEW
BOOK REVIEW
Recommended reading for every paranoid suburbanite who’s considering a move to the city, or to the Arctic wilds.
Character assassination reigns supreme, if not uncontested, in a Long Island suburb.
April Masterson loves her husband, corporate attorney Elliott; their 7-year-old, Bobby; and her YouTube channel, “April’s Sweet Secrets.” What she doesn’t love is whoever’s texting her warnings about how Bobby isn’t really in their backyard while she’s busy filming her videos or withering critiques of her baking show or veiled accusations about her past and threats about her present. Her best friend, former prosecutor Julie Bressler, may be bossy and opinionated, but surely she’d never turn on April this way. Who else might know enough to send April goodies like a picture of her kissing Mark Tanner, Bobby’s soccer coach? Though April struggles to get Elliot to take her ordeal seriously, even when she shows up at his office for a lunch date, he’s protected by his receptionist, Brianna Anderson, whose attachment to her boss goes far beyond loyalty. Then Julie turns on her; Maria Cooper, her friendly new next-door neighbor, turns on her; and in the most mind-boggling scene, Doris Kirkland, April’s mother, whose dementia has brought her to a nursing home, turns on her. McFadden releases an escalating series of toxins so deftly into the suburban atmosphere that it’s practically an anticlimax when someone gets killed and April instantly becomes the prime suspect. But that’s only a setup for the tale’s boldest move: switching its narrator from April to a fair-weather friend who frames the whole nightmare in dramatically different terms. As a special gift to her savviest fans, the author throws in an even more jolting epilogue that’s as hard to forget as it is to believe.
Recommended reading for every paranoid suburbanite who’s considering a move to the city, or to the Arctic wilds.Pub Date: March 3, 2026
ISBN: 9781464249600
Page Count: 368
Publisher: Poisoned Pen
Review Posted Online: Dec. 6, 2025
Kirkus Reviews Issue: Jan. 15, 2026
High-concept and highly entertaining.
Fiction writers compete to finish a famous author’s abandoned novel.
Seven writers, all but one published, have received invitations to spend the weekend with crime novelist Arthur Fletch, the world’s most successful author, on his private island off the coast of Scotland. When they arrive at his cliffside castle, they expect to take part in one of the literary salons for which Fletch is famous; instead, they’re greeted by his agent, who informs them that Fletch is dead. Why has there been nothing about this in the press? Because “there are some…loose ends that must be tied up first.” Fletch has left his eagerly anticipated final novel unfinished, so the agent has summoned the writers to the island for a competition: One of them will get to complete Fletch’s book. As premises go, this one’s a humdinger, courtesy of fantasy writer V.E. Schwab and YA author Cat Clarke, here joining forces as Clarke. The story contains an amusing throughline about the indignity of being an uncelebrated novelist; as the agent tells the assembled writers, the contest winner will receive both cash and something equally valuable: “a way out of the midlist.” The novel’s wandering perspective allows each writer to vent their private frustrations, especially with the publishing industry and with the book world’s genre hierarchy (the YA writer among the competitors understands that she and the romance writer are “supposed to support each other against the general snobbishness of the other genres”). Readers who have come for the crimes and the twists, both of which are plentiful, might grow impatient with all the characters’ backstories, but these readers will likely warm to the shop talk, which at its funniest plays like a kvetchy midlist-writers’ support group.
High-concept and highly entertaining.Pub Date: April 7, 2026
ISBN: 9780063444614
Page Count: 352
Publisher: Harper/HarperCollins
Review Posted Online: Jan. 19, 2026
Kirkus Reviews Issue: Feb. 15, 2026
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