A human clone’s struggle to solve the mystery of her own existence brings her up against a brace of ruthless adversaries.
When she died in 2040, Constance D’Arcy was your typical mixed-race remote nonprofit worker who’d been lucky enough to survive the car crash that put her lover, Zhi Duan, in a coma and killed two other members of Awaken the Ghosts, the band whose guitarist she was. Now, in an ironic slap at her own name, she awakens from the monthly memory download she’d put off for a year and a half and finds herself somehow dead and resurrected as a clone, free of her tattoos, the aches and pains from the accident, and every trace of her memory from the past 18 months. The cloning procedure, pioneered by Palingenesis, the company Con’s aunt, Abigail Stickling, co-founded with angel investor Vernon Gaddis, is ordinarily reserved for the very wealthy, but Abigail had made Con a present of her own clone and arranged for her to have regular downloads of her memory to ease the transition if the clone needed to be activated. So what has Con been doing for those lost 18 months? Why are Gaddis and Dr. Brooke Fenton, his successor as Palingenesis CEO, so intent on accessing the knowledge locked in her brain—knowledge she can’t summon up herself? Most important, is there any limit to the bottomless complications FitzSimmons keeps revealing to make Con’s predicament more and more agonizing whenever she and her readers think they’ve finally gotten the lay of the land?
A super-brainy high-concept dystopian tale guaranteed to reward anyone who’s in the mood.Pub Date: Sept. 1, 2021
ISBN: 978-1-5420-1426-7
Page Count: 352
Publisher: Thomas & Mercer
Review Posted Online: June 16, 2021
Kirkus Reviews Issue: July 1, 2021
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BOOK REVIEW
BOOK REVIEW
Australian novelist Moriarty combines domestic realism and noirish mystery in this story about the events surrounding a 69-year-old Sydney woman’s disappearance.
Joy and Stan Delaney met as champion tennis players more than 50 years ago and ran a well-regarded tennis academy until their recent retirement. Their long, complicated marriage has been filled with perhaps as much passion for the game of tennis as for each other or their children. When Joy disappears on Feb. 14, 2020 (note the date), the last text she sends to her now-grown kids—bohemian Amy, passive Logan, flashy Troy, and migraine-suffering Brooke—is too garbled by autocorrect to decipher and stubborn Stan refuses to accept that there might be a problem. But days pass and Joy remains missing and uncharacteristically silent. As worrisome details come to light, the police become involved. The structure follows the pattern of Big Little Lies (2014) by setting up a mystery and then jumping months into the past to unravel it. Here, Moriarty returns to the day a stranger named Savannah turned up bleeding on the Delaneys’ doorstep and Joy welcomed her to stay for an extended visit. Who is Savannah? Whether she’s innocent, scamming, or something else remains unclear on many levels. Moriarty is a master of ambiguity and also of the small, telling detail like a tossed tennis racket or the repeated appearance of apple crumble. Starting with the abandoned bike that's found by a passing motorist on the first page, the evidence that accumulates around what happened to Joy constantly challenges the reader both to notice which minor details (and characters) matter and to distinguish between red herrings and buried clues. The ultimate reveal is satisfying, if troubling. But Moriarty’s main focus, which she approaches from countless familiar and unexpected angles, is the mystery of family and what it means to be a parent, child, or sibling in the Delaney family—or in any family, for that matter.
Funny, sad, astute, occasionally creepy, and slyly irresistible.Pub Date: Sept. 14, 2021
ISBN: 978-1-250-22025-7
Page Count: 480
Publisher: Henry Holt
Review Posted Online: June 16, 2021
Kirkus Reviews Issue: July 1, 2021
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As one of Whitehead’s characters might say of their creator, When you’re hot, you’re hot.
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After winning back-to-back Pulitzer Prizes for his previous two books, Whitehead lets fly with a typically crafty change-up: a crime novel set in mid-20th-century Harlem.
The twin triumphs of The Underground Railroad (2016) and The Nickel Boys (2019) may have led Whitehead’s fans to believe he would lean even harder on social justice themes in his next novel. But by now, it should be clear that this most eclectic of contemporary masters never repeats himself, and his new novel is as audacious, ingenious, and spellbinding as any of his previous period pieces. Its unlikely and appealing protagonist is Ray Carney, who, when the story begins in 1959, is expecting a second child with his wife, Elizabeth, while selling used furniture and appliances on Harlem’s storied, ever bustling 125th Street. Ray’s difficult childhood as a hoodlum’s son forced to all but raise himself makes him an exemplar of the self-made man to everybody but his upper-middle-class in-laws, aghast that their daughter and grandchildren live in a small apartment within earshot of the subway tracks. Try as he might, however, Ray can’t quite wrest free of his criminal roots. To help make ends meet as he struggles to grow his business, Ray takes covert trips downtown to sell lost or stolen jewelry, some of it coming through the dubious means of Ray’s ne’er-do-well cousin, Freddie, who’s been getting Ray into hot messes since they were kids. Freddie’s now involved in a scheme to rob the Hotel Theresa, the fabled “Waldorf of Harlem," and he wants his cousin to fence whatever he and his unsavory, volatile cohorts take in. This caper, which goes wrong in several perilous ways, is only the first in a series of strenuous tests of character and resources Ray endures from the back end of the 1950s to the Harlem riots of 1964. Throughout, readers will be captivated by a Dickensian array of colorful, idiosyncratic characters, from itchy-fingered gangsters to working-class women with a low threshold for male folly. What’s even more impressive is Whitehead’s densely layered, intricately woven rendering of New York City in the Kennedy era, a time filled with both the bright promise of greater economic opportunity and looming despair due to the growing heroin plague. It's a city in which, as one character observes, “everybody’s kicking back or kicking up. Unless you’re on top.”
As one of Whitehead’s characters might say of their creator, When you’re hot, you’re hot.Pub Date: Sept. 14, 2021
ISBN: 978-0-385-54513-6
Page Count: 336
Publisher: Doubleday
Review Posted Online: June 16, 2021
Kirkus Reviews Issue: July 1, 2021
Categories: CRIME & LEGAL THRILLER | LITERARY FICTION | THRILLER | GENERAL THRILLER & SUSPENSE
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PERSPECTIVES
PERSPECTIVES
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