A bracing portrayal of war in all its macabre reality.
A Canadian drone operator in Afghanistan struggles to maintain his own humanity in the midst of war in Jones’ novel.
Jones is an officer in the Canadian Navy deployed to Kandahar, Afghanistan, as one of the small number of Canadians there taking part in the American-led Operation Enduring Freedom. He is a drone operator, charged with eliminating enemy combatants from afar, guided less by moral restraint than a diligent regard for the rules of engagement. His superior Bell is less cautious and pines to let the bombs fly, almost killing a young boy they nickname Sahar (they nickname most of their targets) for the crime of suspiciously filling a sack with potatoes. Everywhere, Jones sees the ravages of war and violence (he witnesses a woman savagely stoned for her alleged adultery) and wrestles with the toll all of this exacts on his soul. (“I have forgotten how to human.”) He becomes the caretaker of a bizarre man he meets on base—he is not a soldier and resembles some sort of “tremendous gorilla-bear.” Jones nicknames him Bigfoot, though his actual name is Noah. Keeping Noah safe and hidden from the authorities is foolishly imprudent, but it’s an act of moral compassion that feels redemptive to Jones. The author artfully juxtaposes the ugly and the beautiful in war—his protagonist falls in love with Jen, his major, but military rules prevent him from even hugging her; real romance is replaced by discreet “chess games.” Meanwhile, a rapist targets the men on base, tasing the soldiers into submission before he violates them. The author’s prose sometimes falters, trying too hard for some creative amalgam of clever and moving—when Jones encounters a terrible scene, he thinks to himself, “No—not like this. No. No NO NO NO. Rewind, damnit—rewind!” However, the strength of the novel is its unflinching look at the absurdity of modern war, which reduces the destruction of human beings to a video game; the chilling senselessness of this is intelligently captured. This is a disturbing work of fiction, but a worthwhile one.
A bracing portrayal of war in all its macabre reality.Pub Date: March 20, 2025
ISBN: N/A
Page Count: -
Publisher: N/A
Review Posted Online: Dec. 3, 2024
Review Program: Kirkus Indie
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
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