An elderly woman's first visit to a prestigious (though provincial) museum collides with the otherworldly interests of its curator.
The buzzword nowadays in art-world circles is access—how the concerns and biases of the institution or curator affect which individuals feel welcomed within the museum space. In his first novel, Kirkpatrick (The Exiles, 2013, etc.) weaves a playful and compelling tale that addresses the issue holistically. With the exception of the patrons from whom the fictional museum takes its name, the principal characters remain unnamed. Ambrose J. and Vivian T. Seagrave have lost their daughter, Kendall, through a boating accident instigated by one of their artist hangers-on. Thus, the museum displays the late scion's dollhouses (begrudgingly) and the more esoteric favorites of the curator (haphazardly). Kirkpatrick further addresses the relationship between art patrons and their enthusiasms through allegory; the curator falls in love with the "ghost" of Iris Babbitt, a painter who appears loosely modeled on Georgia O'Keeffe. As the museum tags situating the reader in time and space become longer and stranger, the question of what entity is imposing order on our museum journey pops up. However, interspersed with the onslaught of seemingly disparate information are the ruminations of an elderly town resident visiting the museum for the first time; the woman's narrative, which contends with her own perspective on death and loss, undercuts the curator's. Rather than being led around based on the institution's whim and fancy, we're forced to discern how personal interactions shade our perceptions of art as well as whether the backers responsible for the space have any impact on the viewer outside of financials. Plus we get the surface pleasure of discerning how the author has constructed a plot within these parameters.
A novel of ideas whose appeal goes far beyond its target audience—be it literary readers skeptical of yet another postmodern yarn or art-world enthusiasts jaded about its ivory-tower state of affairs.Pub Date: March 12, 2019
ISBN: 978-1-946724-16-8
Page Count: 312
Publisher: Acre
Review Posted Online: Feb. 17, 2019
Kirkus Reviews Issue: March 1, 2019
Categories: LITERARY FICTION | PARANORMAL FICTION
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A flabby, fervid melodrama of a high-strung Southern family from Conroy (The Great Santini, The Lords of Discipline), whose penchant for overwriting once again obscures a genuine talent. Tom Wingo is an unemployed South Carolinian football coach whose internist wife is having an affair with a pompous cardiac man. When he hears that his fierce, beautiful twin sister Savannah, a well-known New York poet, has once again attempted suicide, he escapes his present emasculation by flying north to meet Savannah's comely psychiatrist, Susan Lowenstein. Savannah, it turns out, is catatonic, and before the suicide attempt had completely assumed the identity of a dead friend—the implication being that she couldn't stand being a Wingo anymore. Susan (a shrink with a lot of time on her hands) says to Tom, "Will you stay in New York and tell me all you know?" and he does, for nearly 600 mostly-bloated pages of flashbacks depicting The Family Wingo of swampy Colleton County: a beautiful mother, a brutal shrimper father (the Great Santini alive and kicking), and Tom and Savannah's much-admired older brother, Luke. There are enough traumas here to fall an average-sized mental ward, but the biggie centers around Luke, who uses the skills learned as a Navy SEAL in Vietnam to fight a guerrilla war against the installation of a nuclear power plant in Colleton and is killed by the authorities. It's his death that precipitates the nervous breakdown that costs Tom his job, and Savannah, almost, her life. There may be a barely-glimpsed smaller novel buried in all this succotash (Tom's marriage and life as a football coach), but it's sadly overwhelmed by the book's clumsy central narrative device (flashback ad infinitum) and Conroy's pretentious prose style: ""There are no verdicts to childhood, only consequences, and the bright freight of memory. I speak now of the sun-struck, deeply lived-in days of my past.
Pub Date: Oct. 21, 1986
ISBN: 0553381547
Page Count: 686
Publisher: Houghton Mifflin
Review Posted Online: Oct. 30, 2013
Kirkus Reviews Issue: Sept. 15, 1986
Categories: LITERARY FICTION
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SEEN & HEARD
An amazingly intricate and ambitious first novel - ten years in the making - that puts an engrossing new spin on the traditional haunted-house tale.
Texts within texts, preceded by intriguing introductory material and followed by 150 pages of appendices and related "documents" and photographs, tell the story of a mysterious old house in a Virginia suburb inhabited by esteemed photographer-filmmaker Will Navidson, his companion Karen Green (an ex-fashion model), and their young children Daisy and Chad. The record of their experiences therein is preserved in Will's film The Davidson Record - which is the subject of an unpublished manuscript left behind by a (possibly insane) old man, Frank Zampano - which falls into the possession of Johnny Truant, a drifter who has survived an abusive childhood and the perverse possessiveness of his mad mother (who is institutionalized). As Johnny reads Zampano's manuscript, he adds his own (autobiographical) annotations to the scholarly ones that already adorn and clutter the text (a trick perhaps influenced by David Foster Wallace's Infinite Jest) - and begins experiencing panic attacks and episodes of disorientation that echo with ominous precision the content of Davidson's film (their house's interior proves, "impossibly," to be larger than its exterior; previously unnoticed doors and corridors extend inward inexplicably, and swallow up or traumatize all who dare to "explore" their recesses). Danielewski skillfully manipulates the reader's expectations and fears, employing ingeniously skewed typography, and throwing out hints that the house's apparent malevolence may be related to the history of the Jamestown colony, or to Davidson's Pulitzer Prize-winning photograph of a dying Vietnamese child stalked by a waiting vulture. Or, as "some critics [have suggested,] the house's mutations reflect the psychology of anyone who enters it."
The story's very ambiguity steadily feeds its mysteriousness and power, and Danielewski's mastery of postmodernist and cinema-derived rhetoric up the ante continuously, and stunningly. One of the most impressive excursions into the supernatural in many a year.Pub Date: March 6, 2000
ISBN: 0-375-70376-4
Page Count: 704
Publisher: Pantheon
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 2000
Categories: LITERARY FICTION
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