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FULL METAL JACKET DIARY

The making of the film was infamously messy, but Modine’s presentation of his story is clean and smart.

The lead of Stanley Kubrick's classic film about the Vietnam War blends sound, image and text to recall an often-exasperating experience.

Modine first put this diary between hard covers (metal ones, in fact) in 2005 for a limited-edition book; this app version was financed through a successful Kickstarter campaign. In 1985, when Modine was tapped by Kubrick to star in Full Metal Jacket, he had already starred in a Vietnam-themed film, Birdy. Any concerns about being typecast were erased by a chance to work with the storied director. Modine discusses some of the director’s eccentricities—endless retakes, gnomic pronouncements—but this book is more an intimate accounting than behind-the-scenes gossip. His wife, Cari, was pregnant during filming in England, and Modine foolishly thought the film would wrap in time for them to have the baby in the United States. Not only did filming stretch well beyond nine months, but the experience brought out Kubrick at his worst: He only grudgingly allowed Modine to leave the set to witness the birth of his son. The app’s trove of photos (each favorite-able and Tweet-able) fill most of the screen space, and they capture the author’s somber yet personable perspective via snapshots of his wife and co-stars, with occasional news clippings and artsy landscapes. The diary entries themselves are plainspoken and reveal a fame-struck actor in his mid-20s struggling to improve his craft. He’s never more self-flagellating than when he offends Kubrick by violating his brainstorming rules, and his efforts to get back in the auteur’s good graces add another layer of drama to an already tense story. Users can hear Modine read the diary in its entirety, though except for passages about line readings, the audio version is skippable.

The making of the film was infamously messy, but Modine’s presentation of his story is clean and smart.

Pub Date: Aug. 6, 2012

ISBN: N/A

Page Count: -

Publisher: Matthew Modine

Review Posted Online: Oct. 23, 2012

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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