by Matt Parker ‧ RELEASE DATE: Nov. 11, 2014
Parker should be commended. He may not convert all readers to loving math, but he does provide a glimmer of understanding of...
Guardian and Telegraph writer and comedian Parker aims “to show people all the fun bits of mathematics.”
For starters, take out paper and pencil, compass, straight edge, maybe a balloon or a bag of oranges, because the author will challenge you to tackle puzzles, whether it’s cutting a pizza in equal slices so some pieces never touch the center or passing a quarter through a nickel-size hole. Parker begins with the easier elements like number systems, primes and the polygons of Euclidean geometry. But his approach has the acceleration of a Ferrari, so readers are quickly racing into higher dimensional space. Parker explains how a square becomes a cube in 3-D and a hypercube (a tesseract) in four dimensions or a doughnut (a torus) becomes an object called a Klein bottle. This branch of math is topology, but in arriving there, Parker makes forays into subfields like tiling (think bathroom floors), packing (how to ship oranges efficiently) and knot theory. Some readers will lose their way—the visualizations alone are tough. Also, by this point, it’s clear that the author does not aspire to create a math-for-dummies handbook. Instead, he provides one man’s take on the history of math, emphasizing the puzzles that led to profound discoveries or to tantalizing conjectures that remain neither proved nor disproved. But this one man is also a dedicated denizen of the digital universe, and some of the best parts of the book are Parker’s explanations of how computers work. This includes the feat in which he and math colleagues set up a field of thousands of dominoes to demonstrate how a computer adds two binary numbers. Parker goes on to explain how smartphones digitally code a photo and why a text sent across the globe arrives error-free despite all the relays along the way.
Parker should be commended. He may not convert all readers to loving math, but he does provide a glimmer of understanding of how it works.Pub Date: Nov. 11, 2014
ISBN: 978-0374275655
Page Count: 320
Publisher: Farrar, Straus and Giroux
Review Posted Online: Sept. 30, 2014
Kirkus Reviews Issue: Oct. 15, 2014
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by Ozzy Osbourne with Chris Ayres ‧ RELEASE DATE: Jan. 25, 2010
An autobiography as toxic and addictive as any drug its author has ever ingested.
The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.
Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.
An autobiography as toxic and addictive as any drug its author has ever ingested.Pub Date: Jan. 25, 2010
ISBN: 978-0-446-56989-7
Page Count: 320
Publisher: Grand Central Publishing
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2009
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by William Strunk & E.B. White ‧ RELEASE DATE: May 15, 1972
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
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