Students of martial arts, film history, and the 1970s alike will find much to enjoy in Polly’s homage.
Spirited celebration of the life of “the Patron Saint of Kung Fu,” a stalwart of pop culture whose career is due for a revival.
Growing up in Hong Kong, Bruce Lee (1940-1973) wasn’t much of a student. As Polly (Tapped Out: Rear Naked Chokes, the Octagon, and the Last Emperor: An Odyssey in Mixed Martial Arts, 2011, etc.) writes, he was good in English and pretty poor in everything else; he was held back a couple of grades and known as a schoolyard bully—though the kind that “was a gang leader, offering protection to those willing to follow him.” He would go on to battle a string of sadists and miscreants in films that would become standards of early-1970s popular culture. First, however, he had to set up shop as a martial arts master with a burning mission to spread Wing Chun and other forms of Chinese fighting arts to America, always with his own stamp on them, always willing to fight to establish his credentials. “I would like to let everybody know,” Lee announced in 1963, “that any time my Chinatown brothers want to research my Wing Chun, they are welcome to find me at my school in Oakland.” Meaning, Polly speculates, that Lee was willing to take on all of San Francisco's Chinatown and its myriad masters to make his mark. His martyrdom was assured by dying young just before his signature film, Enter the Dragon, entered the market in 1973, but even before then, the charismatic Lee had a huge following. Polly recounts a trip to Goa with Green Hornet star James Coburn in which everyone knew who Lee was, but not Coburn, and later moments in which he outshone even the great Steve McQueen—which is exactly as Lee swore it would be. Enter the Dragon also fulfilled Lee’s other promise: that he would become, as the author writes in rather outdated language, “the first and highest paid Oriental superstar in the United States.”
Students of martial arts, film history, and the 1970s alike will find much to enjoy in Polly’s homage.Pub Date: June 5, 2018
ISBN: 978-1-5011-8762-9
Page Count: 624
Publisher: Simon & Schuster
Review Posted Online: April 30, 2018
Kirkus Reviews Issue: May 15, 2018
BOOK REVIEW
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
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