A story that, like Finley, expresses a lot in relatively few words.
In a town partially controlled by the Irish mob, a quiet friendship develops between two basketball players.
Finley doesn't say much, and his basketball teammates fondly call him White Rabbit, both for his quiet demeanor and for being the only white player on his high school team. He is surprised but willing when his coach introduces him to Russ Washington and asks Finley to look after him. Russ, a nationally recognized athlete, is experiencing post-traumatic stress after the murder of his parents. While there are hints that something in Finley's own past makes this assignment particularly relevant, Finley quietly but firmly refuses to discuss his own history with other characters or with readers. Instead, they see the friendship among the two boys and Finley's girlfriend, Erin, gently unfold and the mysteries surrounding Russ deepen. Does Russ want to play basketball or not? Does he really believe he is an alien called Boy21? The answers here are satisfying but never simple, and the setting, a working-class town where asking too many questions can have deadly consequences, is a bleak, haunting foil to the boys' comfortable silence. Family relationships are well-drawn, and foreshadowing is effective without being predictable.
A story that, like Finley, expresses a lot in relatively few words. (Fiction. 12 & up)Pub Date: March 5, 2012
ISBN: 978-0-316-12797-4
Page Count: 256
Publisher: Little, Brown
Review Posted Online: Jan. 17, 2012
Kirkus Reviews Issue: Feb. 1, 2012
PROFILES
A contemporary hero’s journey, brilliantly told.
The 17-year-old son of a troubled rock star is determined to find his own way in life and love.
On the verge of adulthood, Blade Morrison wants to leave his father’s bad-boy reputation for drug-and-alcohol–induced antics and his sister’s edgy lifestyle behind. The death of his mother 10 years ago left them all without an anchor. Named for the black superhero, Blade shares his family’s connection to music but resents the paparazzi that prevent him from having an open relationship with the girl that he loves. However, there is one secret even Blade is unaware of, and when his sister reveals the truth of his heritage during a bitter fight, Blade is stunned. When he finally gains some measure of equilibrium, he decides to investigate, embarking on a search that will lead him to a small, remote village in Ghana. Along the way, he meets people with a sense of purpose, especially Joy, a young Ghanaian who helps him despite her suspicions of Americans. This rich novel in verse is full of the music that forms its core. In addition to Alexander and co-author Hess’ skilled use of language, references to classic rock songs abound. Secondary characters add texture to the story: does his girlfriend have real feelings for Blade? Is there more to his father than his inability to stay clean and sober? At the center is Blade, fully realized and achingly real in his pain and confusion.
A contemporary hero’s journey, brilliantly told. (Verse fiction. 14-adult)Pub Date: Aug. 1, 2017
ISBN: 978-0-310-76183-9
Page Count: 464
Publisher: Blink
Review Posted Online: April 30, 2017
Kirkus Reviews Issue: May 15, 2017
PERSPECTIVES
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression.
After surviving a suicide attempt, a fragile teen isn't sure she can endure without cutting herself.
Seventeen-year-old Charlie Davis, a white girl living on the margins, thinks she has little reason to live: her father drowned himself; her bereft and abusive mother kicked her out; her best friend, Ellis, is nearly brain dead after cutting too deeply; and she's gone through unspeakable experiences living on the street. After spending time in treatment with other young women like her—who cut, burn, poke, and otherwise hurt themselves—Charlie is released and takes a bus from the Twin Cities to Tucson to be closer to Mikey, a boy she "like-likes" but who had pined for Ellis instead. But things don't go as planned in the Arizona desert, because sweet Mikey just wants to be friends. Feeling rejected, Charlie, an artist, is drawn into a destructive new relationship with her sexy older co-worker, a "semifamous" local musician who's obviously a junkie alcoholic. Through intense, diarylike chapters chronicling Charlie's journey, the author captures the brutal and heartbreaking way "girls who write their pain on their bodies" scar and mar themselves, either succumbing or surviving. Like most issue books, this is not an easy read, but it's poignant and transcendent as Charlie breaks more and more before piecing herself back together.
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression. (author’s note) (Fiction. 14 & up)Pub Date: Aug. 30, 2016
ISBN: 978-1-101-93471-5
Page Count: 416
Publisher: Delacorte
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: May 15, 2016
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