An artful, hopeful exploration of a teen boy in intense need.
A teen boy with a World War II pistol in hand is bent on murder and suicide.
Leonard Peacock has big plans for his birthday: He’s cut his longish hair down to the scalp, wrapped some going-away presents for his friends and tucked his grandfather’s souvenir Nazi-issue P-38 pistol into his backpack. He’s off to school, but he plans to make some pit stops along the way to see his friends, including his elderly, Bogart-obsessed neighbor. After he gives his gifts away, he’ll murder Asher Beal, another boy at school. Then he’ll off himself. To say Quick’s latest is dark would be an understatement: Leonard is dealing with some serious issues and comes across as a resolutely heartless killer in the first few pages. As the novel progresses and readers learn more, however, his human side and heart rise to the surface and tug at readers’ heartstrings. The work has its quirks. Footnotes run amok, often telling more story than the actual narrative, and some are so long that readers might forget what’s happening in the story as they read the footnote. Some readers will eat this up, but others will find it endlessly distracting. Other structural oddities include letters written by Leonard to himself from the future; they seem to make no sense at first, but readers find out later that his teacher recommended he write them to cope with his depression. Despite these eccentricities, the novel presents a host of compelling, well-drawn, realistic characters—all of whom want Leonard to make it through the day safe and sound.
An artful, hopeful exploration of a teen boy in intense need. (Fiction. 14 & up)Pub Date: Aug. 13, 2013
ISBN: 978-0-316-22133-7
Page Count: 288
Publisher: Little, Brown
Review Posted Online: May 21, 2013
Kirkus Reviews Issue: June 15, 2013
PROFILES
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression.
After surviving a suicide attempt, a fragile teen isn't sure she can endure without cutting herself.
Seventeen-year-old Charlie Davis, a white girl living on the margins, thinks she has little reason to live: her father drowned himself; her bereft and abusive mother kicked her out; her best friend, Ellis, is nearly brain dead after cutting too deeply; and she's gone through unspeakable experiences living on the street. After spending time in treatment with other young women like her—who cut, burn, poke, and otherwise hurt themselves—Charlie is released and takes a bus from the Twin Cities to Tucson to be closer to Mikey, a boy she "like-likes" but who had pined for Ellis instead. But things don't go as planned in the Arizona desert, because sweet Mikey just wants to be friends. Feeling rejected, Charlie, an artist, is drawn into a destructive new relationship with her sexy older co-worker, a "semifamous" local musician who's obviously a junkie alcoholic. Through intense, diarylike chapters chronicling Charlie's journey, the author captures the brutal and heartbreaking way "girls who write their pain on their bodies" scar and mar themselves, either succumbing or surviving. Like most issue books, this is not an easy read, but it's poignant and transcendent as Charlie breaks more and more before piecing herself back together.
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression. (author’s note) (Fiction. 14 & up)Pub Date: Aug. 30, 2016
ISBN: 978-1-101-93471-5
Page Count: 416
Publisher: Delacorte
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: May 15, 2016
A troubling depiction of an unhealthy relationship.
A battered girl and an injured rugby star spark up an ill-advised romance at an Irish secondary school.
Beautiful, waiflike, 15-year-old Shannon has lived her entire life in Ballylaggin. Alternately bullied at school and beaten by her ne’er-do-well father, she’s hopeful for a fresh start at Tommen, a private school. Seventeen-year-old Johnny, who has a hair-trigger temper and a severe groin injury, is used to Dublin’s elite-level rugby but, since his family’s move to County Cork, is now stuck captaining Tommen’s middling team. When Johnny angrily kicks a ball and knocks Shannon unconscious (“a soft female groan came from her lips”), a tentative relationship is born. As the two grow closer, Johnny’s past and Shannon’s present become serious obstacles to their budding love, threatening Shannon’s safety. Shannon’s portrayal feels infantilized (“I looked down at the tiny little female under my arm”), while Johnny comes across as borderline obsessive (“I knew I shouldn’t be touching her, but how the hell could I not?”). Uneven pacing and choppy sentences lead to a sudden climax and an unsatisfyingly abrupt ending. Repetitive descriptions, abundant and misogynistic dialogue (Johnny, to his best friend: “who’s the bitch with a vagina now?”), and graphic violence also weigh down this lengthy tome (considerably trimmed down from its original, self-published length). The cast of lively, well-developed supporting characters, especially Johnny’s best friend and Shannon’s protective older brother, is a bright spot. Major characters read white.
A troubling depiction of an unhealthy relationship. (author’s note, pronunciations, glossary, song moments, playlists) (Romance. 16-18)Pub Date: Nov. 28, 2023
ISBN: 9781728299945
Page Count: 626
Publisher: Bloom Books
Review Posted Online: Oct. 21, 2023
Kirkus Reviews Issue: Nov. 15, 2023
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