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FORGIVE ME, LEONARD PEACOCK

An artful, hopeful exploration of a teen boy in intense need.

A teen boy with a World War II pistol in hand is bent on murder and suicide.

Leonard Peacock has big plans for his birthday: He’s cut his longish hair down to the scalp, wrapped some going-away presents for his friends and tucked his grandfather’s souvenir Nazi-issue P-38 pistol into his backpack. He’s off to school, but he plans to make some pit stops along the way to see his friends, including his elderly, Bogart-obsessed neighbor. After he gives his gifts away, he’ll murder Asher Beal, another boy at school. Then he’ll off himself. To say Quick’s latest is dark would be an understatement: Leonard is dealing with some serious issues and comes across as a resolutely heartless killer in the first few pages. As the novel progresses and readers learn more, however, his human side and heart rise to the surface and tug at readers’ heartstrings. The work has its quirks. Footnotes run amok, often telling more story than the actual narrative, and some are so long that readers might forget what’s happening in the story as they read the footnote. Some readers will eat this up, but others will find it endlessly distracting. Other structural oddities include letters written by Leonard to himself from the future; they seem to make no sense at first, but readers find out later that his teacher recommended he write them to cope with his depression. Despite these eccentricities, the novel presents a host of compelling, well-drawn, realistic characters—all of whom want Leonard to make it through the day safe and sound.

An artful, hopeful exploration of a teen boy in intense need. (Fiction. 14 & up)

Pub Date: Aug. 13, 2013

ISBN: 978-0-316-22133-7

Page Count: 288

Publisher: Little, Brown

Review Posted Online: May 21, 2013

Kirkus Reviews Issue: June 15, 2013

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DIG

Heavily meditative, this strange and heart-wrenching tale is stunningly original.

An estranged family’s tragic story is incrementally revealed in this deeply surreal novel.

Alternating narration among five teens, many of them unnamed but for monikers like The Freak, The Shoveler, and CanIHelpYou?, as well as an older married couple, Gottfried and Marla, and the younger of two violent and troubling brothers, an expansive net is cast. An unwieldy list of the cast featured in each part melds well with the frenetic style of this experimental work but does little to actually clarify how they fit together; the first half, at least, is markedly confusing. However, readers able to relax into the chaos will be richly rewarded as the strands eventually weave together. The bitingly sardonic voice of The Freak, who seems to be able to move through space and time, contrasts well with the understated, almost deadpan observations of The Shoveler, and the quiet decency of Malcolm and the angry snark of CanIHelpYou?, who is falling for her biracial (half white, half black) best friend, are distinctly different from Loretta’s odd and sexually frank musings. Family abuse and neglect and disordered substance use are part of the lives of many of the characters here, but it’s made clear that, at the root, this white family has been poisoned by virulent racism.

Heavily meditative, this strange and heart-wrenching tale is stunningly original. (Fiction. 14-adult)

Pub Date: March 26, 2019

ISBN: 978-1-101-99491-7

Page Count: 400

Publisher: Dutton

Review Posted Online: Dec. 8, 2018

Kirkus Reviews Issue: Jan. 1, 2019

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ALL THE BEST LIARS

A dynamic, suspenseful tale of friendship and betrayal.

In this thriller, two best friends find their relationship pushed to the breaking point.

After Brianna’s father became wealthy, Rain and Sydney felt abandoned by her as she warmed to her newfound acceptance by their more popular peers. Later, Rain also experiences a dramatic change in social class when her mother wins the lottery. This dark drama opens with a chapter from the perspective of Syd, whose sense of decency seems reliable even if her recollection of events, clouded by drug and alcohol use at a party the night before, does not. Alternating between Syd’s, Rain’s, and Brie’s points of view, and moving back and forth in time between the present and the periods before and after the house fire that claimed the life of one of the girls, the narrative structure sets the stage for a psychological mystery that explores loyalty and jealousy. There is a fair amount of coincidence packed into this story, but the intense emotions and yearnings each of the young women feel to be accepted and worthy ground this ever shifting novel in very real ways. Some readers will spot twists before they are revealed, but there is enough left up in the air until the very end to keep them hooked. The three main characters read as White; names signal some diversity in secondary characters.

A dynamic, suspenseful tale of friendship and betrayal. (Thriller. 14-18)

Pub Date: April 5, 2022

ISBN: 978-1-250-31270-9

Page Count: 336

Publisher: Flatiron Books

Review Posted Online: Jan. 10, 2022

Kirkus Reviews Issue: Feb. 1, 2022

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