Tender yet mournful writing by a sharply observant poet.
In his second book of poetry, Defibaugh explores love and loss and living with a disability.
Defibaugh began writing in his early teens, or roughly when he was confined to a wheelchair as a result of Duchenne muscular dystrophy. His debut collected 16 years’ worth of poetry, from his amateur beginnings to his later, more mature verse. This second book also deals with coming to terms with illness but with a greater sense of self-assuredness and poetic dexterity. The collection is divided into three parts—“Virginia Beach, 1990,” “Red Flags,” and “Broken Shells”—which underscore a coastal theme prevalent throughout. The collection opens at a point of innocence when the poem “Virginia Beach, 1990” offers a tableau of a small child making sand castles: “She’s flipping over / a fifteen-cent sand bucket, / her first real castle, / hastily constructed under / a flimsy yellow sun.” In a nod to imagism, Defibaugh deftly captures a fleeting and serene moment in the child’s life that is unselfconsciously carefree, soon to be interrupted by the turbulence of experience. He presents the trials of life in various forms that include stifling parental authority in “Bars”: “Being guarded isn’t the freedom / she was born deserving.” “Selective Service Exemption” links disability and estrangement in the phrase “how to love without being loved.” Defibaugh’s poetry has a cumulative impact. The poem “Duchenne Muscular Dystrophy” charts the progression of the poet’s illness from his diagnosis at age 4, remarking: “Pines replaced peers repulsed by awkward moving. / Nature disregarded disability.” Elsewhere the comfort of exploring nature is torn away by further deterioration: “By fourteen, I could not navigate the forest / Or even hobble from room to room.” Admirers of Defibaugh’s debut collection will note that this one has fewer moments of levity here, and excursions into comedy can prove mordantly dark. In “vs. Modern Medicine” the poet notes: “Waiting for a cure is silly; / this chair will be my resting place, / and I’d settle even sooner / if it had a higher voltage.” This is a deep emotional excavation of hardship, carefully conceived and keenly executed from the author of Dynamic Parts (2014).
Tender yet mournful writing by a sharply observant poet.Pub Date: Dec. 4, 2019
ISBN: 978-1-69078-827-0
Page Count: 58
Publisher: Self
Review Posted Online: March 18, 2020
Kirkus Reviews Issue: May 1, 2020
Review Program: Kirkus Indie
BOOK REVIEW
Sharp writing, vivid characters, and puzzle box plotting bring the trilogy to a ringing conclusion.
A dark fantasy set on the Yale campus ends with a bang.
Galaxy “Alex” Stern of Lethe House, one of Yale’s storied secret societies, has been to hell and back. That was in Hell Bent (2023), the middle book in Bardugo’s Ninth House trilogy, where the secret societies wield not just temporal power but magic as well. Hell Bent ended with Alex and her friends rescuing her crush, mentor, and fellow Lethe officer, Daniel “Darlington” Arlington V, from eternal torment. One small wrinkle: The demon Golgarot used Alex’s blood to wedge a door open between Hell and New Haven, and his minions are slipping through. Also, one of the group has turned into a vampire, and Darlington is now half demon. “He’d given up some part of himself to preserve the rest of his human soul. He’d become both prisoner and warden.” As the final book opens, the exhausted crew are hunting yet another monster. They can’t keep this up forever; they will have to find a way to close the portal. Alex has the energetic, driven melancholy of the hard-boiled, dark fantasy heroine she is. She believes “magic is real, but safe is make-believe,” as her roommate puts it. An open hellmouth, a supportive scholar, a vampire whose story arcs precariously toward redemption, a gentleman fiend who gets literally horny when aroused, a California girl with rare supernatural powers who cracks wise as she fights fiends—the series has a lot in common with Buffy the Vampire Slayer and its spawn, but Bardugo’s way with words and her keen social observation keep the book from feeling derivative. A demon’s classic New England house is decorated with “ruthlessly inoffensive watercolor seascapes”; Lethe’s board president “wore the new uniform of Wall Street: a dress shirt, khakis, and a fleece with a Yale Y embroidered over the heart, as if he were on his way to a hostile takeover followed by some light rock climbing.” Will Alex and her friends get the door shut without losing Darlington? Bardugo injects her protagonist with such a convincing mix of cynicism and hope that failure seems like a distinct possibility.
Sharp writing, vivid characters, and puzzle box plotting bring the trilogy to a ringing conclusion.Pub Date: Sept. 15, 2026
ISBN: 9781250884312
Page Count: 496
Publisher: Flatiron Books
Review Posted Online: Sept. 15, 2026
Kirkus Reviews Issue: Nov. 1, 2026
The queen of social activist novels has done it again. Impressive, important, and fun to read.
The World Trade Center attacks are at the center of an intricate, twisty family drama spanning decades in both directions.
“You could brace for your sister to die of a terminal illness, only to have your healthy sibling killed in a random car wreck. You could carry a baby safely to term and then, on a bright blue day in September, walk into a building that collapsed beneath your feet.” Or you could be a character in a Jodi Picoult novel and face all of the above and much, much more. Fans of My Sister’s Keeper (2004) will notice a reference to that novel in the preceding quote and be glad to hear a character from that book is back. During the Covid-19 pandemic, former teenage delinquent Jesse Fitzgerald, now a detective on the Providence, Rhode Island, police force, meets Molly Ambrose, a 19-year-old prodigy who runs the state’s emergency preparedness and response program. “Despite the fact that there were fifteen years between us and we both had enough baggage to fill a cargo hold,” as Molly puts it, the two fall madly in love. The baggage she’s referring to includes, on her side, a mother who died on 9/11 when Molly was less than three months old. Picoult supplies her signature delightful banter and gift for depicting passion and romance to win the reader’s sympathy for this possibly questionable match between dedicated public servants, whose favorite game at bedtime is “Who can think of the most terrifying worst-case scenario?” Very little more can be revealed without spoilers, but trigger warnings for this book would be a long list indeed, ranging from suicide and filicide to rape and mental illness (welcome to Picoultland!). Subplots visit evangelical and Navajo cultures as well as the ins and outs of polygraphy. Make sure to read the afterword in which Picoult explains her real-life sources of inspiration.
The queen of social activist novels has done it again. Impressive, important, and fun to read.Pub Date: Sept. 15, 2026
ISBN: 9780593726259
Page Count: 464
Publisher: Ballantine
Review Posted Online: June 15, 2026
Kirkus Reviews Issue: July 15, 2026
SEEN & HEARD
PERSPECTIVES
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