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THE FOREST BEYOND THE EARTH

A spirited, gripping story with a truly exceptional protagonist.

Awards & Accolades

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A 12-year-old girl searches for her missing father in a post-apocalyptic world filled with monsters and violent humans in Cox’s (A Beginner’s Guide to Fangs, 2018, etc.) YA novel.

Wisp has rarely ever strayed from the wooded cabin where she lives alone with her dad. According to him, the outside world is dangerous—a place where angry Fire Dragons burned many people to ashes. Wisp finds solace in a corner beside some bookshelves in the cabin’s main living space, which she calls her “Haven.” There, she’s safe from the things that Dad has told her about, including monsters called Tree Walkers and human marauders that might force her into slavery. Wisp often stays in the Haven when Dad leaves to hunt or scavenge. But one day, he doesn’t return, and when Wisp ventures outside, all she finds is his rifle. She seeks guidance from her late mother, whom she believes watches over her, despite having gone to “the Other Place.” Armed with Dad’s guns and a knife, Wisp braves the unknown to find him—but a few shocking revelations await her. Cox presents the narrative entirely from Wisp’s point of view, resulting in an endlessly curious read. He depicts her as being fascinated by ordinary things, as when she sees a Jeep for the very first time, and he showcases her discoveries with exuberant prose: “She squeezed and gripped the padding, scuffing her feet back and forth on the soft floor, awestruck at how comfortable the ancients’ things had been.” He effectively balances the character’s endearing naïveté with her proficiency; she manages to survive on her own in the forest, procuring shelter and sustenance, while also ably fending off threats. The steadily paced narrative reveals information about what’s happened to the world at large as Wisp’s journey continues, and although readers may predict some plot turns, there are enough surprises to maintain interest.

A spirited, gripping story with a truly exceptional protagonist.

Pub Date: Feb. 6, 2018

ISBN: 978-1-980227-75-5

Page Count: 292

Publisher: CreateSpace

Review Posted Online: May 29, 2018

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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