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JIM CURIOUS

A VOYAGE TO THE HEART OF THE SEA IN 3-D VISION

Required prop notwithstanding, a thoroughly immersive outing.

Two pairs of 3-D glasses included with the book add plenty of depth to an explorer’s undersea adventures in this wordless import.

Wearing a clunky diving suit, sans air hose, Picard’s figure dives off a dock and leaves the flat 2-D land above to float through a marvelous world of interwoven fronds, darting fish and general human detritus. Later encounters with a huge shark and an undersea city give way to a mysterious tunnel leading to a hatchway that, opened, drains the entire ocean. This sets up a final double gatefold filled with sea life that, marvelously, has taken over the land. Arranged in a mix of full-spread scenes and large sequential panels, the black-and-white cartoon art is done in a relatively realistic style. It displays (with the goggles) multiple levels and convincing depth of field, along with swirling currents and large forms looming out of the darkness. The volume will likely outlast the two cardboard-and-celluloid goggles, but what with the current popularity of 3-D films, finding replacements shouldn’t be difficult. Without the goggles, the illustrations are clear as mud.

Required prop notwithstanding, a thoroughly immersive outing. (Picture book/novelty. 6-9)

Pub Date: April 15, 2014

ISBN: 978-1-4197-1043-8

Page Count: 52

Publisher: Abrams

Review Posted Online: Feb. 25, 2014

Kirkus Reviews Issue: March 15, 2014

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DOG DAYS

From the Carver Chronicles series , Vol. 1

This outing lacks the sophistication of such category standards as Clementine; here’s hoping English amps things up for...

A gentle voice and familiar pitfalls characterize this tale of a boy navigating the risky road to responsibility. 

Gavin is new to his neighborhood and Carver Elementary. He likes his new friend, Richard, and has a typically contentious relationship with his older sister, Danielle. When Gavin’s desire to impress Richard sets off a disastrous chain of events, the boy struggles to evade responsibility for his actions. “After all, it isn’t his fault that Danielle’s snow globe got broken. Sure, he shouldn’t have been in her room—but then, she shouldn’t be keeping candy in her room to tempt him. Anybody would be tempted. Anybody!” opines Gavin once he learns the punishment for his crime. While Gavin has a charming Everyboy quality, and his aversion to Aunt Myrtle’s yapping little dog rings true, little about Gavin distinguishes him from other trouble-prone protagonists. He is, regrettably, forgettable. Coretta Scott King Honor winner English (Francie, 1999) is a teacher whose storytelling usually benefits from her day job. Unfortunately, the pizzazz of classroom chaos is largely absent from this series opener.

This outing lacks the sophistication of such category standards as Clementine; here’s hoping English amps things up for subsequent volumes. (Fiction. 6-9)

Pub Date: Dec. 17, 2013

ISBN: 978-0-547-97044-8

Page Count: 128

Publisher: Clarion Books

Review Posted Online: Oct. 1, 2013

Kirkus Reviews Issue: Oct. 15, 2013

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ACOUSTIC ROOSTER AND HIS BARNYARD BAND

Having put together a band with renowned cousin Duck Ellington and singer “Bee” Holiday, Rooster’s chances sure look...

Winning actually isn’t everything, as jazz-happy Rooster learns when he goes up against the legendary likes of Mules Davis and Ella Finchgerald at the barnyard talent show.

Having put together a band with renowned cousin Duck Ellington and singer “Bee” Holiday, Rooster’s chances sure look good—particularly after his “ ‘Hen from Ipanema’ [makes] / the barnyard chickies swoon.”—but in the end the competition is just too stiff. No matter: A compliment from cool Mules and the conviction that he still has the world’s best band soon puts the strut back in his stride. Alexander’s versifying isn’t always in tune (“So, he went to see his cousin, / a pianist of great fame…”), and despite his moniker Rooster plays an electric bass in Bower’s canted country scenes. Children are unlikely to get most of the jokes liberally sprinkled through the text, of course, so the adults sharing it with them should be ready to consult the backmatter, which consists of closing notes on jazz’s instruments, history and best-known musicians.

Pub Date: Sept. 1, 2011

ISBN: 978-1-58536-688-0

Page Count: 32

Publisher: Sleeping Bear Press

Review Posted Online: July 19, 2011

Kirkus Reviews Issue: Aug. 1, 2011

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