An uneven but undeniably original adventure.
Lubchansky uses science fiction, horror, and the comic book form to explore the terrors of coming out as transfemme in a world dominated by dudes.
Sometime in the not-too-distant future, Sammie Kavalski is packing for their best friend Adam’s bachelor party blowout. They’re not thrilled at the prospect of spending a weekend at El Campo, a floating resort in the South Pacific. And they’re even less excited about hanging out with old pals who still treat them like one of the guys. This ostensibly pleasant excursion will prove to be beyond Sammie’s worst imaginings. During days of lawless partying on the high seas, Sammie will have to deal with toxic bro culture, a dangerous cabal, an eldritch horror from the deep, and people who consistently mock and misgender them. Although it’s set in an invented universe, Lubchansky’s graphic novel offers commentary on our own time and place. El Campo is built on a garbage island, and on their way there, Sammie is upcharged for having gained 3.3 pounds since they booked their “Super-Saver Plus Plus” ticket, and they have to pay a landing fee before they can exit the airport. When they check into their hotel, they have to offer a blood sample so they can participate in fun activities like hunting and killing their own clone. And the cabal—which calls itself a “vertically integrated marketing platform for a global network of entrepreneurs”—issues fleece vests not unlike those favored by fintech guys to its members. The fantastic elements of this graphic novel are intriguing, but the bulk of the book consists of repeated scenes of Sammie being abused by the bachelor-party cohort, retreating to deal with the emotions that stirs up, and then rejoining the group. These two parts of the story don’t work well together, though. Neither the relationships among characters nor the sea-monster cult is given enough space to develop. That said, Lubchansky gives Sammie a chance to reconcile with Adam and their past self in a way that is very satisfying.
An uneven but undeniably original adventure.Pub Date: June 6, 2023
ISBN: 9780593316719
Page Count: 232
Publisher: Pantheon
Review Posted Online: May 9, 2023
Kirkus Reviews Issue: June 1, 2023
BOOK REVIEW
PERSPECTIVES
PERSPECTIVES
Even so, this remains Macbeth, arguably the Bard of Avon’s most durable and multilayered tragedy, and overall, this enhanced...
A pairing of the text of the Scottish Play with a filmed performance, designed with the Shakespeare novice in mind.
The left side of the screen of this enhanced e-book contains a full version of Macbeth, while the right side includes a performance of the dialogue shown (approximately 20 lines’ worth per page). This granular focus allows newcomers to experience the nuances of the play, which is rich in irony, hidden intentions and sudden shifts in emotional temperature. The set and costuming are deliberately simple: The background is white, and Macbeth’s “armor” is a leather jacket. But nobody’s dumbing down their performances. Francesca Faridany is particularly good as a tightly coiled Lady Macbeth; Raphael Nash-Thompson gives his roles as the drunken porter and a witch a garrulousness that carries an entertainingly sinister edge. The presentation is not without its hiccups. Matching the video on the right with the text on the left means routinely cutting off dramatic moments; at one point, users have to swipe to see and read the second half of a scene’s closing couplet—presumably an easy fix. A “tap to translate” button on each page puts the text into plain English, but the pop-up text covers up Shakespeare’s original, denying any attempts at comparison; moreover, the translation mainly redefines more obscure words, suggesting that smaller pop-ups for individual terms might be more meaningful.
Even so, this remains Macbeth, arguably the Bard of Avon’s most durable and multilayered tragedy, and overall, this enhanced e-book makes the play appealing and graspable to students . (Enhanced e-book. 12 & up)Pub Date: Sept. 9, 2013
ISBN: N/A
Page Count: -
Publisher: The New Book Press LLC
Review Posted Online: Nov. 6, 2013
Kirkus Reviews Issue: Dec. 1, 2013
Lush visuals bring this thoughtfully constructed tale to life.
Wondrous visitors encounter a desperate pocket of humanity.
Lori, a white orphaned teen who’s finally been adopted after bouncing around various foster homes, awakens to discover that nearly everyone has disappeared. The rapture? Maybe. She runs into her classmate Annette, who has brown skin and curly black hair, and they partner up to scavenge for food. The pair tries to evade several threats, such as the large Wolves and a gang called The Dogs. Supernatural Giants arrive, seemingly from space, speaking an impenetrable language of “musical chiming and weird bass-rhythms.” Lori and Annette then meet Beatrice, an older white woman who shares important observations about the Giants and Wolves. The tone of the story then subtly shifts from post-apocalyptic desperation to one that’s somewhat playful. After a certain point, a visual element that appears early on takes on clear significance and meaning in the context of the story at large, offering a subversively humorous twist for readers to consider and a creative element that deviates from other alien invasion narratives. Hans’ artwork and paneling fill each scene with wonders. An interaction with a giant sees the red, violet, and pink figure standing against a bright, otherworldly white-and-blue backdrop with dark contours. Elsewhere, Lori and Annette pause at night as they behold ominous shadows, their foggy breath forming clouds, and they hear a “KRRNCH” sound. The quick-moving plot wraps everything up neatly.
Lush visuals bring this thoughtfully constructed tale to life. (character designs) (Graphic science fiction. 14-adult)Pub Date: Nov. 12, 2024
ISBN: 9781534387072
Page Count: 104
Publisher: Image Comics
Review Posted Online: Aug. 17, 2024
Kirkus Reviews Issue: Sept. 15, 2024
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