by Maureen McQuerry ‧ RELEASE DATE: March 18, 2014
Sure-handed and page-turning, this series opener leaves plenty to be resolved.
A promising start to a fantasy series mines the rich ore of Celtic mythology and propels a young boy into cosmic battle.
Timothy James Maxwell props open his front door to see what might happen on a March evening, and the strangers who drop in are unexpectedly otherworldly. McQuerry sends her young characters—Tim, his sister and his classmate Jessica (whose prettiness and queen-bee status torment him)—into the conflict between Light and Dark and into the territory made familiar in Susan Cooper’s Dark Is Rising quintet. There is the Greenman, the horned huntsman, a Celtic warrior in wolf form, even a May Day sacrifice complete with Morris dancers. Tim’s elderly babysitter, Mrs. Clapper, becomes Cerridwyn the huntress, explaining that Tim and his companions are now caught up in an ongoing cosmic story: “Before all things and after all things the story is.” Jessica’s role in the May Day sacrifice and Tim’s substitution for her in the wild hunt put both of them in dangerous proximity to Balor, an emissary of the Dark. References to quantum physics and to the way that time might seem “like water pouring off a tabletop, flowing in all directions at once,” emphasize the simultaneous presence of the mythic and everyday life. An Ogham-based code explained in an opening note runs along the bottoms of the pages for readers to decipher.
Sure-handed and page-turning, this series opener leaves plenty to be resolved. (Fantasy. 10-14)Pub Date: March 18, 2014
ISBN: 978-1-4197-1016-2
Page Count: 384
Publisher: Amulet/Abrams
Review Posted Online: Jan. 28, 2014
Kirkus Reviews Issue: Feb. 15, 2014
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by Duane Armitage & Maureen McQuerry ; illustrated by Robin Rosenthal
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by Rae Carson ‧ RELEASE DATE: Sept. 1, 2011
Despite the stale fat-to-curvy pattern, compelling world building with a Southern European, pseudo-Christian feel,...
Adventure drags our heroine all over the map of fantasyland while giving her the opportunity to use her smarts.
Elisa—Princess Lucero-Elisa de Riqueza of Orovalle—has been chosen for Service since the day she was born, when a beam of holy light put a Godstone in her navel. She's a devout reader of holy books and is well-versed in the military strategy text Belleza Guerra, but she has been kept in ignorance of world affairs. With no warning, this fat, self-loathing princess is married off to a distant king and is embroiled in political and spiritual intrigue. War is coming, and perhaps only Elisa's Godstone—and knowledge from the Belleza Guerra—can save them. Elisa uses her untried strategic knowledge to always-good effect. With a character so smart that she doesn't have much to learn, body size is stereotypically substituted for character development. Elisa’s "mountainous" body shrivels away when she spends a month on forced march eating rat, and thus she is a better person. Still, it's wonderfully refreshing to see a heroine using her brain to win a war rather than strapping on a sword and charging into battle.
Despite the stale fat-to-curvy pattern, compelling world building with a Southern European, pseudo-Christian feel, reminiscent of Naomi Kritzer's Fires of the Faithful (2002), keeps this entry fresh. (Fantasy. 12-14)Pub Date: Sept. 1, 2011
ISBN: 978-0-06-202648-4
Page Count: 432
Publisher: Greenwillow Books
Review Posted Online: July 19, 2011
Kirkus Reviews Issue: Aug. 1, 2011
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by Leza Lowitz ‧ RELEASE DATE: Jan. 12, 2016
It’s the haunting details of those around Kai that readers will remember.
Kai’s life is upended when his coastal village is devastated in Japan’s 2011 earthquake and tsunami in this verse novel from an author who experienced them firsthand.
With his single mother, her parents, and his friend Ryu among the thousands missing or dead, biracial Kai, 17, is dazed and disoriented. His friend Shin’s supportive, but his intact family reminds Kai, whose American dad has been out of touch for years, of his loss. Kai’s isolation is amplified by his uncertain cultural status. Playing soccer and his growing friendship with shy Keiko barely lessen his despair. Then he’s invited to join a group of Japanese teens traveling to New York to meet others who as teenagers lost parents in the 9/11 attacks a decade earlier. Though at first reluctant, Kai agrees to go and, in the process, begins to imagine a future. Like graphic novels, today’s spare novels in verse (the subgenre concerning disasters especially) are significantly shaped by what’s left out. Lacking art’s visceral power to grab attention, verse novels may—as here—feel sparsely plotted with underdeveloped characters portrayed from a distance in elegiac monotone. Kai’s a generic figure, a coat hanger for the disaster’s main event, his victories mostly unearned; in striking contrast, his rural Japanese community and how they endure catastrophe and overwhelming losses—what they do and don’t do for one another, comforts they miss, kindnesses they value—spring to life.
It’s the haunting details of those around Kai that readers will remember. (author preface, afterword) (Verse fiction. 12-14)Pub Date: Jan. 12, 2016
ISBN: 978-0-553-53474-0
Page Count: 272
Publisher: Crown
Review Posted Online: Sept. 15, 2015
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