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THE TELLING STONE

From the Time Out of Time series , Vol. 2

Uneven yet at moments exceedingly exciting: readers who stick through to the end will be looking for the next in the series.

Timothy James Maxwell and his friends continue their adventure in cosmic realms.

Think of The Dark is Rising and A Swiftly Tilting Planet: when Celtic forces of good, evil, and the fairy folk come together, snow flies, winds rise, and mere mortals are caught off balance. McQuerry dives right in, picking up where she left off in series opener Beyond the Door (2014). The one-eyed evil representative of the Dark, Balor, wreaks havoc on the Marketplace out of time, while armies of trees and birds join to beat back his reptile and insect forces. An enigmatic map and a Christmas (when “the Light comes into the world”) trip to Edinburgh set the stage for another mythic encounter between good and evil. McQuerry borrows freely for her tropes, tossing in ancient tales, the Scottish regalia, Macbeth’s Dunsinane, the Wild Hunt, and fairy folk with a great deal of scope and ambition. Though she slides distractingly from one point of view to another in early chapters, she sticks with young Timothy for most of the rest, engaging readers in his predicament and the web of cosmic tension. The overlap of mythical and present is nicely realized, with adults especially not what they seem, whether representative of good or evil.

Uneven yet at moments exceedingly exciting: readers who stick through to the end will be looking for the next in the series. (Fantasy. 9-13)

Pub Date: May 12, 2015

ISBN: 978-1-4197-1494-8

Page Count: 368

Publisher: Amulet/Abrams

Review Posted Online: Feb. 15, 2015

Kirkus Reviews Issue: March 1, 2015

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I AM NUMBER FOUR

From the Lorien Legacies series , Vol. 1

If it were a Golden Age comic, this tale of ridiculous science, space dogs and humanoid aliens with flashlights in their hands might not be bad. Alas... Number Four is a fugitive from the planet Lorien, which is sloppily described as both "hundreds of lightyears away" and "billions of miles away." Along with eight other children and their caretakers, Number Four escaped from the Mogadorian invasion of Lorien ten years ago. Now the nine children are scattered on Earth, hiding. Luckily and fairly nonsensically, the planet's Elders cast a charm on them so they could only be killed in numerical order, but children one through three are dead, and Number Four is next. Too bad he's finally gained a friend and a girlfriend and doesn't want to run. At least his newly developing alien powers means there will be screen-ready combat and explosions. Perhaps most idiotic, "author" Pittacus Lore is a character in this fiction—but the first-person narrator is someone else entirely. Maybe this is a natural extension of lightly hidden actual author James Frey's drive to fictionalize his life, but literature it ain't. (Science fiction. 11-13)

     

 

Pub Date: Aug. 17, 2010

ISBN: 978-0-06-196955-3

Page Count: 448

Publisher: Harper/HarperCollins

Review Posted Online: Dec. 22, 2010

Kirkus Reviews Issue: Aug. 1, 2010

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DEAD END IN NORVELT

Characteristically provocative gothic comedy, with sublime undertones.

An exhilarating summer marked by death, gore and fire sparks deep thoughts in a small-town lad not uncoincidentally named “Jack Gantos.”

The gore is all Jack’s, which to his continuing embarrassment “would spray out of my nose holes like dragon flames” whenever anything exciting or upsetting happens. And that would be on every other page, seemingly, as even though Jack’s feuding parents unite to ground him for the summer after several mishaps, he does get out. He mixes with the undertaker’s daughter, a band of Hell’s Angels out to exact fiery revenge for a member flattened in town by a truck and, especially, with arthritic neighbor Miss Volker, for whom he furnishes the “hired hands” that transcribe what becomes a series of impassioned obituaries for the local paper as elderly town residents suddenly begin passing on in rapid succession. Eventually the unusual body count draws the—justified, as it turns out—attention of the police. Ultimately, the obits and the many Landmark Books that Jack reads (this is 1962) in his hours of confinement all combine in his head to broaden his perspective about both history in general and the slow decline his own town is experiencing.

Characteristically provocative gothic comedy, with sublime undertones. (Autobiographical fiction. 11-13)

Pub Date: Sept. 13, 2011

ISBN: 978-0-374-37993-3

Page Count: 352

Publisher: Farrar, Straus and Giroux

Review Posted Online: April 5, 2011

Kirkus Reviews Issue: Aug. 15, 2011

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