All McCoy's strengths—a feisty heroine, a strong regional presence, and much colorful writing—are here, but again the premise and resolution, in this her third novel (Summertime, Walking After Midnight), seem imposed rather than naturally evolving. At 24, along with month-old baby and lover Johnny, runaway Delana Mae Walsh is returning to the family home on the Mississippi River, a place she left seven years ago in a moment of shame and anguish. During the seven years, she has worked as a cook and then as a pilot on the boats that tow the barges up and down the Mississippi. But despite her love for Johnny, an engineer on the boat, and the affection of the crew, Delana Mae has been haunted by the unresolved mysteries in her family: the drowning of a four- year-old sister Sally; her own conception right after the accident; and her doctor father's longtime relationship with his office nurse, whom he married when her own mother, Dovie died. The family home becomes a setting for an updated Showboat as members of the crew, delayed by a mechanical fault, interact in a series of set- pieces, with the Walsh family, including the deeply religious Marcia, dissatisfied with her marriage and yearning to speak in tongues. All ends well as Marcia finds spiritual and sexual joy; Delana Mae learns the truth about her parents; the past is absolved as the baby is baptized at the spot where sister Sally had drowned; and Delana Mae realizes that Johnny is tied to the river, but will come back to visit, until ``the day the river will run dry on him, [and] wash him up to her'' for good. At times McCoy seems to be trying too hard to be the serious novelist, concerned with big issues like incest, religious faith, and the differences between the sexes, and writing as if acclaim were merely a matter of accruing metaphors and similes. But still much to enjoy.
Pub Date: May 1, 1992
ISBN: 0-671-75065-8
Page Count: 240
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 1992
BOOK REVIEW
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
Genetically engineered dinosaurs run amok in Crichton's new, vastly entertaining science thriller. From the introduction alone—a classically Crichton-clear discussion of the implications of biotechnological research—it's evident that the Harvard M.D. has bounced back from the science-fantasy silliness of Sphere (1987) for another taut reworking of the Frankenstein theme, as in The Andromeda Strain and The Terminal Man. Here, Dr. Frankenstein is aging billionaire John Hammond, whose monster is a manmade ecosystem based on a Costa Rican island. Designed as the world's ultimate theme park, the ecosystem boasts climate and flora of the Jurassic Age and—most spectacularly—15 varieties of dinosaurs, created by elaborate genetic engineering that Crichton explains in fascinating detail, rich with dino-lore and complete with graphics. Into the park, for a safety check before its opening, comes the novel's band of characters—who, though well drawn, double as symbolic types in this unsubtle morality play. Among them are hero Alan Grant, noble paleontologist; Hammond, venal and obsessed; amoral dino-designer Henry Wu; Hammond's two innocent grandchildren; and mathematician Ian Malcolm, who in long diatribes serves as Crichton's mouthpiece to lament the folly of science. Upon arrival, the visitors tour the park; meanwhile, an industrial spy steals some dino embryos by shutting down the island's power—and its security grid, allowing the beasts to run loose. The bulk of the remaining narrative consists of dinos—ferocious T. Rex's, voracious velociraptors, venom-spitting dilophosaurs—stalking, ripping, and eating the cast in fast, furious, and suspenseful set-pieces as the ecosystem spins apart. And can Grant prevent the dinos from escaping to the mainland to create unchecked havoc? Though intrusive, the moralizing rarely slows this tornado-paced tale, a slick package of info-thrills that's Crichton's most clever since Congo (1980)—and easily the most exciting dinosaur novel ever written. A sure-fire best-seller.
Pub Date: Nov. 7, 1990
ISBN: 0394588169
Page Count: 424
Publisher: Knopf
Review Posted Online: Sept. 21, 2011
Kirkus Reviews Issue: Oct. 15, 1990
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