A sassy, colorful take on New-Age insights.
A self-help memoir about one woman overcoming a broken marriage and alcoholism to find spiritual fulfillment.
“Magical chapters can start with really sucky endings,” writes Muldoon (Giant Love Song, 2018, etc.), and she begins this remembrance with one such conclusion. Her marriage to fellow actor “Reed” (names have been changed) collapsed in divorce after she learned that he’d been having an affair with a former Miss Universe. Suddenly, the author was facing life as a single mother of a 3-year-old, so to make ends meet, she became a children’s party entertainer and auditioned for acting jobs in commercials and theater productions. As she did so, she took a year off from pursuing romantic relationships to focus on her own emotional healing. Her period of celibacy, she says, forced her to rely on herself, but she eventually met “Will,” a fellow actor and a cancer survivor. Although they’d assumed that he was sterile from chemotherapy, she became pregnant before they married and went on to have two more children. Muldoon finally confronted her drinking problem—which began in her teen years, after her mother’s death—by attending Alcoholics Anonymous meetings and reading Helen Schucman’s 1976 book A Course in Miracles. Now she considers herself a spiritual coach and “celebrant,” and she directs the SpeakEasy Spiritual Community. Later, when she got a call from the aforementioned Miss Universe, lamenting that Reed was seeing someone else, she responded with compassion, rather than vengeful glee. Muldoon re-creates her story with vivid descriptions, believable dialogue, and enjoyable portraits of such people as her occasional roommate “Skye.” Along the way, she offers keen observations on the “scripts and structures” that underpin the modern dating game, which subordinate women’s needs to men’s senses of entitlement. The timeline can be a bit confusing when the memoir loops back to past events, but the book’s arrangement is more thematic than chronological; the 16 chapter titles align with a final list of exhortations. The author also offers concrete, valuable examples of how the “feminine Divine” can help turn trauma into spiritual wisdom, which should particularly appeal to fans of Louise Hay’s work.
A sassy, colorful take on New-Age insights.Pub Date: Nov. 20, 2018
ISBN: 978-1-63152-447-9
Page Count: 232
Publisher: She Writes Press
Review Posted Online: Oct. 4, 2018
Review Program: Kirkus Indie
A gargantuan but surprisingly agile and spellbinding biography of the plain-speaking, plain-dealing Man from Missouri. As depicted by McCullough (Brave Companions, 1991, etc.), Truman, though the first President of the nuclear era, was fundamentally a throwback to 19th-century midwestern ideals of honesty. Like the young Teddy Roosevelt in the author's Mornings on Horseback (1981), the pre-Presidential Truman most impresses McCullough as a battler against overwhelming odds: the failed farmer and haberdasher; the WW I captain who kept his unit together under deadly fire; and the scorned product of the Kansas City machine who won Senate colleagues' respect by chairing an investigation into WW II defense spending and winning a ferocious primary contest. With the stage thus set, the narrative picks up whirlwind force, following Truman from his assumption of the Presidency upon FDR's death—when "the sun, the moon, and the stars" seemed ready to fall on him—through the decisions to drop the atomic bomb; confront Stalin at Potsdam; send troops to Korea (the most important decision of his Presidency, Truman felt); and fire MacArthur. The book's main event, however, is the legendary "Whistle-Stop Campaign" of 1948, when Truman puffed off the political upset of the century. Readers jaded by Vietnam and Watergate may ask: Could any President be this serene, honest, and courageous? Yet McCullough weaves his spell, convincingly limning a politician who didn't lie, steal, pay attention to pollsters or pundits, or quail in the face of diplomatic or political combat (his major fault seems to have been excessive loyalty to cronies who betrayed his trust). Truman apparently really was, as his Secretary of State Dean Acheson said, the "captain with the mighty heart." Rich in detail, enthralling, and moving: a classic Presidential biography.
Pub Date: June 19, 1992
ISBN: 0-671-45654-7
Page Count: 1120
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 1992
IN THE NEWS
These subtle, reflective observations offer delightful insights into the lighthouse mystique.
A writer muses on what lighthouses mean to her.
Barrera, a Mexican journalist and editor and co-founder of the Mexico City–based publisher Ediciones Antilope, confesses early on that she’s a collector. “Collecting is a form of escapism,” she writes. After visiting Yaquina Head Lighthouse on the Oregon coast, she wanted “to articulate my feelings about that panorama—the moment and the lighthouse.” There was “something in the lighthouse itself that intrigued me.” Following that trip, she visited a few others and conducted research into their histories and the stories surrounding them: “It was like falling in love; I wanted to know the lighthouse to its very core.” Each story includes a wide array of topics in lighthouse culture, including literature, history, science, art, music, and the daily, brutal lives of the isolated keepers and their families. “From afar, a lighthouse is a ghost, or rather a myth, a symbol,” writes the author. “At close quarters, it is a beautiful building.” Barrera gives close attention to Robert Louis Stevenson’s family: his father, Thomas, instrumental in developing the revolutionary lens that replaced kerosene lamps, and his grandfather, Robert, the first to “construct a lighthouse on a marine rock, far from the coast.” The author is also intrigued that Edgar Allan Poe’s last, unfinished story was about a lighthouse keeper. Barrera chronicles her visit to the Ghoury Lighthouse, built in 1823 after a boat shipwrecked off the Normandy coast, and she comments on the many lighthouses in Edward Hopper’s paintings; he “said that the lighthouse is a solitary individual who stoically confronts the onrush of industrial society.” The author bemoans the fact that GPS and computers may one day make them obsolete. After reading Yukio Mishima’s The Decay of the Angel, about an orphaned boy who works in a signal station, Barrera stopped writing. “There are collections that will always be incomplete, and sometimes it’s better not to continue them.”
These subtle, reflective observations offer delightful insights into the lighthouse mystique.Pub Date: May 12, 2020
ISBN: 978-1-949641-01-1
Page Count: 174
Publisher: Two Lines Press
Review Posted Online: Jan. 15, 2020
Kirkus Reviews Issue: Feb. 15, 2020
PERSPECTIVES
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