A volume for those fed up with “news” about Oprah’s weight and the Bennifer breakup.
Collection of provocative profiles from Vanity Fair, showing those who’ve lived on Mars for the past ten years the power celebrities wield in America.
A sex scandal destroyed movie comic Fatty Arbuckle’s career in the 1920s; today it would make him bigger than ever. That’s essentially the conclusion Orth draws in her portraits of Madonna, Woody Allen, Michael Jackson, and others. The public’s appetite for celebrity news may go further back in time than the author acknowledges, but there’s no arguing with her statement that cable TV’s 24/7 reporting has turned the public into celebrity news bulimics. Just about anyone, Orth writes, can feed the media and become famous, whether or not they’re talented (to wit: Madonna). And someone famous can get away with just about anything (to wit: Woody Allen taking nude pictures of the adopted daughter he would eventually marry, or Michael Jackson dangling a baby from a hotel window). Orth also describes how Andrew Cunanan became the darkest of American celebrities when he shot and killed Gianni Versace and then himself. She builds a disturbing case for the influence of celebrity millions in political arenas as she reports on Bill Clinton’s presidential pardon of billionaire Marc Rich. Of course, Orth herself writes for a celebrity-driven publication, and these pieces will be read (with some guilt perhaps) by readers eager to scarf up crumbs about Liz and Liza. The author’s use of quotes from unnamed sources and her subjects’ former employees is journalistically questionable, but her details hit their marks, as in the profiles of deposed Maggie Thatcher and retired ballerina Margot Fonteyn. Dame Margot makes Orth nostalgic for the days when the famous were also talented.
A volume for those fed up with “news” about Oprah’s weight and the Bennifer breakup.Pub Date: May 6, 2004
ISBN: 0-8050-7545-3
Page Count: 384
Publisher: Henry Holt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 2004
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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