A tour d’horizon of the world of antiques, from flea markets to antiques shows to high-end auction houses, with a brief stopover at eBay and the Antiques Roadshow.

Before Stanton (Creative Nonfiction/Univ. of Missouri) reconnected with her pseudonymous old college friend, “Curt Avery,” who had become a professional antiques dealer, she was “the self-anointed Queen of the Flea-Market Dollar Table.” Like many Americans, she was on the lookout for an appealing bargain and just as happy with an inexpensive reproduction as the real thing. When she and Avery met again in 2000, she agreed to fly across the country to attend an auction where some old bottles that he coveted were on offer. He asked her to be his proxy bidder while he hid at the back and signaled his bids. This was her introduction to a fascinating subculture, which she calls “the ‘flea’ realm.” Over the years, she attended many fairs and flea markets with Avery as what she calls a “participant observer,” getting up before dawn to help him set up displays, grabbing food on the run and camping out next to his truck at night. “The greatest reward of trailing Avery,” she writes, “has been to rekindle my fascination with history.” Stanton writes about the thrill of spotting a pair of late-18th-century sugar snips mixed in with a pile of tools, and learning the history of opium bottles, which were produced in the millions until the 20th century, when the sale of opium in grocery stores was prohibited. The author learned to truly value these objects—which preserved the collective memory of a past way of life—and to value the craftsmanship they embodied. A treasure-trove of a book, especially for would-be antiquers.


Pub Date: June 13, 2011

ISBN: 978-1-59420-293-3

Page Count: 336

Publisher: Penguin Press

Review Posted Online: April 18, 2011

Kirkus Reviews Issue: May 1, 2011

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This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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From the national correspondent for PBS's MacNeil-Lehrer Newshour: a moving memoir of her youth in the Deep South and her role in desegregating the Univ. of Georgia. The eldest daughter of an army chaplain, Hunter-Gault was born in what she calls the ``first of many places that I would call `my place' ''—the small village of Due West, tucked away in a remote little corner of South Carolina. While her father served in Korea, Hunter-Gault and her mother moved first to Covington, Georgia, and then to Atlanta. In ``L.A.'' (lovely Atlanta), surrounded by her loving family and a close-knit black community, the author enjoyed a happy childhood participating in activities at church and at school, where her intellectual and leadership abilities soon were noticed by both faculty and peers. In high school, Hunter-Gault found herself studying the ``comic-strip character Brenda Starr as I might have studied a journalism textbook, had there been one.'' Determined to be a journalist, she applied to several colleges—all outside of Georgia, for ``to discourage the possibility that a black student would even think of applying to one of those white schools, the state provided money for black students'' to study out of state. Accepted at Michigan's Wayne State, the author was encouraged by local civil-rights leaders to apply, along with another classmate, to the Univ. of Georgia as well. Her application became a test of changing racial attitudes, as well as of the growing strength of the civil-rights movement in the South, and Gault became a national figure as she braved an onslaught of hostilities and harassment to become the first black woman to attend the university. A remarkably generous, fair-minded account of overcoming some of the biggest, and most intractable, obstacles ever deployed by southern racists. (Photographs—not seen.)

Pub Date: Nov. 1, 1992

ISBN: 0-374-17563-2

Page Count: 192

Publisher: Farrar, Straus and Giroux

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Sept. 1, 1992

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