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THE SOLITARY SELF

JEAN-JACQUES ROUSSEAU IN EXILE AND ADVERSITY

Cranston concludes his three-volume biography of Rousseau (Jean Jacques: The Early Life and Work, 1983; The Noble Savage, 1991) with a dispassionate chronicle of the philosopher's bitter last years—a period of exile, persecution, and paranoia. Cranston died just before finishing the biography; his colleague Sanford Lakoff (Univ. of Calif.) has added a final chapter using Cranston's notes and the text of a lecture, adding a useful epilogue distilled from Cranston's previous books on Rousseau's thought. Cranston ended The Noble Savage with Rousseau's transformation from ``literary celebrity to cult figure'' after the publication of The Social Contract, and Julie, ou la Nouvelle HÇloãse. Infamy closely followed fame: When friends tried to have his novel Emile published in Paris, it was condemned, publicly burned, and a warrant was issued for his arrest. He was forced into uncertain wanderings, which Cranston conscientiously tracks. Staying above Rousseau's emotional perspective, Cranston traces his increasingly heated dealings with his publisher and his feuds with the group of Paris philosophes dominated by Voltaire. Rousseau was thrown out of the Swiss canton of NeuchÉtel, where he had found asylum, after Letters from the Mountains, a work highly critical of the Swiss, was published. He traveled to Bern, had a romantic interlude on the isle of Saint-Pierre, then had to flee again. He accepted David Hume's offer of asylum in England. Cranston gives an admirably impartial account of the stormy relationship of this philosophical odd couple, though he gives scant attention to the composition of the Confessions, which occurred roughly simultaneously. He is, however, always meticulously objective in tracing Rousseau's franctic actions and complex, contradictory character. A sober, concise chaser to the intoxicating Confessions (though more a starting point than the last word on that work) and a muted, though moving, conclusion to a remarkable work of scholarship and sympathy. (16 illustrations, not seen)

Pub Date: Dec. 1, 1996

ISBN: 0-226-11865-7

Page Count: 264

Publisher: Univ. of Chicago

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 1, 1996

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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