MY BROTHER'S BOOK

In his last finished work, Sendak tips a cap to intellectual and artistic influences, but he puts his own unique stamp on a lyrical flight that looks toward a reunion with Jack, his long-dead brother.

As vivid and surreal as a dream, the narrative begins with the separation of Jack—catapulted to “continents of ice” where “[h]is poor nose froze”—and Guy, who lands “[o]n soft Bohemia” to be consumed by a hulking bear after posing his brother’s fate as a “sad riddle.” “Diving through time so vast—sweeping past paradise,” Guy emerges at last into a mystical springtime where he finds Jack entwined in roots and “veiled blossoms.” Guy bites Jack’s nose “to be sure” and hearing his brother’s sighed “Just lost—when I am saved!” enfolds him tenderly, whispering “Good night / And you will dream of me.” In the small, loosely brushed paintings on each facing page, he depicts the brothers, reminiscent of William Blake’s diaphanously gowned figures. Befitting the surreal textual imagery, they float in twisted postures amid stars and organic billows of moonlit clouds and landscape or lie together beneath canopies of greenery. The literary references (to Shakespeare, Keats, Emily Dickinson and others) may escape many, but they are secondary to the book’s impact. The sharply felt humor and yearning that infuse both the verbal and visual narratives will kindle profound emotional responses in hearts of any age. (introduction by Stephen Greenblatt) (Illustrated poem. All ages)

 

Pub Date: Feb. 5, 2013

ISBN: 978-0-06-223489-6

Page Count: 32

Publisher: Michael di Capua/HarperCollins

Review Posted Online: Nov. 18, 2012

Kirkus Reviews Issue: Dec. 1, 2012

Did you like this book?

No Comments Yet

Ephemeral—unlike the art here (some of it, at least) and those fondly remembered little books.

EVERYTHING I NEED TO KNOW I LEARNED FROM A LITTLE GOLDEN BOOK

Chicken soup for fans of Golden Books, from the line’s editorial director.

Reasoning that hard times have come to America (“The chickens have come home to roost, and their names are Debt, Depression, and Diabetes”), Muldrow offers this book as palliative. She gathers single illustrations from 61 Little Golden Books and adds pithy captions as anodynes, such as “Don’t panic…” (beneath Tibor Gergely’s 1948 image of a dismayed child holding detached braids) or “Have some pancakes” (Richard Scarry, 1949). Though some of her advice has a modern inflection (“Don’t forget your antioxidants!”), the pictures all come from titles published between 1942 and 1964 and so, despite the great diversity of artistic styles, have a quaint period look. Not to mention quaint period values, from views of apron-wearing housewives and pipe-smoking men (or bears) to, with but two exceptions, an all-white cast of humans. Furthermore, despite the title’s implication, the exhortations don’t always reflect the original story’s lesson or theme; rather than “Make a budget—and stick to it!” the lad in Miriam Young’s 5 Pennies To Spend (illustrated by Corinne Malvern, 1955) actually used his hoard to help others in need.

Ephemeral—unlike the art here (some of it, at least) and those fondly remembered little books. (Picture book. 12 & up)

Pub Date: Sept. 24, 2013

ISBN: 978-0-307-97761-8

Page Count: 96

Publisher: Golden Books/Random

Review Posted Online: Aug. 14, 2013

Kirkus Reviews Issue: Sept. 1, 2013

Did you like this book?

No Comments Yet

This small but firm step on an artist’s journey is both inspiration to his fellows and an informative window into a...

THE INKER'S SHADOW

In this continuation of Say’s graphic memoir, Drawing from Memory (2011), he travels to the United States and receives a decidedly mixed welcome.

Arriving in southern California in 1953, 15-year-old Allen first settles in a military academy but is soon asked to leave because his sponsor comes to believe that he won’t be (as Say’s own openly hostile father puts it) “a wholesome American.” Never quite fitting in, he goes on to acquire an apartment and a job, take art classes, and, after high school graduation, set off in relief for San Francisco. “I will never,” he concludes emphatically, “come back.” Though his personal voice, his gratitude for the support he does receive, and occasional flashes of rueful humor are evident enough, overall his sense of isolation from people and events around him colors his entire experience. The many quick sketches, caricatures, practice pieces, and even the relatively finished scenes of significant incidents or encounters with which his account is interspersed, though, add life and feeling in abundance to the often spare narrative. Moreover, all along the way, his determination to become a cartoonist never fades, and at low moments Kyusuke, the free-spirited alter ego created for him back in Japan by his mentor and sensei, Noro Shinpei, pops into view to remind him that it’s all an adventure.

This small but firm step on an artist’s journey is both inspiration to his fellows and an informative window into a particular slice of the nation’s history. (afterword, with photos) (Graphic memoir. 10 & up)

Pub Date: Sept. 29, 2015

ISBN: 978-0-545-43776-9

Page Count: 80

Publisher: Scholastic

Review Posted Online: July 27, 2015

Kirkus Reviews Issue: Aug. 15, 2015

Did you like this book?

No Comments Yet
more