Next book

APHASIA

Original, richly felt, deftly written. Highly recommended.

In Ecuadorian Cárdenas' second novel—after The Revolutionaries Try Again (2016)—a once-reluctant father tries to balance family with an awareness of lost possibilities while his sister's life unravels.

Antonio Jose Jiménez immigrated to the U.S. from Colombia to fulfill his dream of an Ivy League education. Now a divorced database analyst, he lives in a small apartment connected through a purgatorial laundry room to the apartment he once shared with his wife and two young daughters. Struggling to write in his spare time, he avoids thinking about his sister or his own failed marriage by remembering former girlfriends (one of whom chose "László Krasznahorkai" for their safe word) and having sex with college students he meets on a site called Your Sugar Arrangements. He studies fathers in fiction and movies. "To learn how to be a father from a movie might sound ridiculous…but how else do men learn to be fathers different from their own monstrous fathers?—holotropic breathwork?" Divided into five sections of short chapters, the story unfolds in a fragmented, fractured style, the long, breathless sentences dizzying and richly packed with memories, connections, and literary references. Cárdenas undercuts the idea of a single, stable identity and suggests the self as a many-layered work in progress. On the YSA site, Antonio calls himself Arturo. At work, consumed by thoughts of "the other lives he could have lived if he’d left his former wife when he was planning to, three weeks before conceiving Ada," he imagines different versions of himself, including Antonio I (soccer player), Antonio VIII (writer), and Antonio V (database analyst), who "creates a spreadsheet to tabulate the other Antonios." Meanwhile Antonio's sister has a schizophrenic break brought on in part by their traumatic childhood with an abusive father. Confronted with discomfort, Antonio's brain "activates its emergency erasure mechanisms." A person, he thinks, is "an accretion of misfortunes," aphasia "a metaphor for expressive paralysis." Fans of the author's inventive, ambitious debut novel will find the same sardonic intelligence, paired here with a deep humanity. Despite erasure mechanisms and paralysis, Antonio works to be a better brother, a better parent to his girls. "Everywhere we went I saw grandmothers looking at us and marveling at a world where fathers and daughters held hands."

Original, richly felt, deftly written. Highly recommended.

Pub Date: Nov. 3, 2020

ISBN: 978-0-374-25786-6

Page Count: 208

Publisher: Farrar, Straus and Giroux

Review Posted Online: Aug. 18, 2020

Kirkus Reviews Issue: Sept. 1, 2020

Awards & Accolades

Likes

  • Readers Vote
  • 198


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

Next book

THE CORRESPONDENT

An affecting portrait of a prickly woman.

Awards & Accolades

Likes

  • Readers Vote
  • 198


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

A lifetime’s worth of letters combine to portray a singular character.

Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.

An affecting portrait of a prickly woman.

Pub Date: May 6, 2025

ISBN: 9780593798430

Page Count: 304

Publisher: Crown

Review Posted Online: Feb. 15, 2025

Kirkus Reviews Issue: March 15, 2025

Next book

HALF HIS AGE

A debut novel with bright spots, but unbalanced and lacking in finesse.

A high school senior pursues an affair with her teacher.

Seventeen-year-old Waldo, the narrator of McCurdy’s fiction debut, lives in Anchorage, Alaska, with her mother, though she’s long been the parent in their relationship. She heats her own frozen meals and pays the bills on time while her mom chases man after man and makes well-meaning promises she never keeps. Waldo blows her Victoria’s Secret wages on online shopping sprees and binges on junk food, inevitably crashing after the fleeting highs of her indulgences. Mr. Korgy, her creative writing teacher, has “thinning hair and nose pores”; he’s 40 years old and married with a child. Nevertheless—or possibly as a result?—Waldo’s attraction to him is “instant. So sudden it’s alarming. So palpable it’s confusing.” Mr. Korgy professes to want to keep their friendship aboveboard, but after a sexual encounter at the school’s winter formal that she initiates, an affair begins. Will this reckless pursuit be the one that actually satisfies Waldo, and is she as mature as she thinks she is? Waldo is a keen observer of people and provides sharp commentary on the punishing work of female beauty. Readers of McCurdy’s bestselling memoir, I’m Glad My Mom Died (2022), will surely be curious about the tumultuous mother-daughter relationship, and it is one of the novel’s highlights, full of realistic pity and anger and need. (“I want to scream at her. I want her to hug me.”) Unfortunately, the prose is often unwieldy and sometimes downright cringeworthy: When Waldo tells Mr. Korgy she loves him, “The words hang in the air in that constipated way they do when you know that you shouldn’t have said them.” Waldo frequently lists emotions and adjectives in triplicate, and events that could be significant aren’t sufficiently explored or given enough space to breathe before the novel races on to the next thing.

A debut novel with bright spots, but unbalanced and lacking in finesse.

Pub Date: Jan. 20, 2026

ISBN: 9780593723739

Page Count: 288

Publisher: Ballantine

Review Posted Online: Nov. 22, 2025

Kirkus Reviews Issue: Jan. 1, 2026

Close Quickview