by Mavis Gallant ‧ RELEASE DATE: Sept. 1, 1993
Eleven more spare, elegant stories from French-Canadian author Gallant (In Transit, 1989, etc.), ten of which first appeared in The New Yorker. Interconnected vignettes of the family Carette form the first four stories. In ``1933,'' a newly widowed but stalwart Mme. Carette is forced to move with her young daughters Berthe and Marie to a smaller apartment in a seedy street in Montreal. Sixteen years later, in ``The Chosen Husband,'' a still resolute Mme. Carette arranges a marriage for her feeble-witted younger child Marie. By the 60's, in ``From Cloud to Cloud,'' Marie's husband has died and Marie must move in with older sister Berthe; meanwhile, Marie's 18- year-old son Raymond steals the family Volkswagen and flees to the US and Vietnam. ``Florida'' recounts his subsequent spotty career in the motel trade. Other stories are divided between Montreal and Paris, where Gallant has lived since the 1950's. In ``Dede,'' an upper-class Parisian schoolboy is braced by a visit from his black- sheep uncle. In the lengthy title story, a feisty French-Italian girl almost succeeds in overturning her mother's plan that she marry Arnaud Pons, son of Parisian family friends—until she discovers that marrying Arnaud is exactly what will make her happy. In ``Forain'' and the lovely ``A State of Affairs,'' Gallant touchingly follows the now circumscribed lives of a handful of elderly Central European refugees in Paris. And in the final, brilliant ``The Fenton Child,'' she returns to Montreal, where a proper Irish Catholic girl—with a charming ward-heeler for a father—aids in what she comes to realize is an illegal adoption arranged for an ``English'' family in the district. In each of these pieces and others, the details are all: shades of meaning turn on the condition of the furnishings and the color of the light. Another fine collection from Gallant.
Pub Date: Sept. 1, 1993
ISBN: 0-679-42213-7
Page Count: 176
Publisher: Random House
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 1993
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by Harper Lee ‧ RELEASE DATE: July 11, 1960
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
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by Harper Lee ; edited by Casey Cep
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by Harper Lee
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SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
by Larry McMurtry ‧ RELEASE DATE: June 1, 1985
This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.
Pub Date: June 1, 1985
ISBN: 068487122X
Page Count: 872
Publisher: Simon & Schuster
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: May 15, 1985
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