A swirling surfeit of pink, purple and gold is draped around this crisp retelling of the traditional tale, as Cinderella attends three balls with her handsome prince before her glass slipper falls. Before she meets her beloved, blond, fair and willowy Cinderella suffers in servitude as her stepfamily prepares for the prince’s ball. Once alone, the fairy godmother clothes the young lady in blue and sapphire attire, and she meets her prince; midnight fades her godmother’s magic, and Cinderella returns without her identity revealed. The ball is repeated twice more with similar results: Cinderella dons silver and gold ensembles and briefly reunites with her love, leaving that slipper behind at the end. Strong pacing dances Cinderella toward her traditional destiny as the prince matches her slipper with the rightful owner, and her once-oblivious father is redeemed. While the cast of characters is not exactly diverse, Sharkey’s slim lines and striking angles enhance her whimsical oil illustrations. However, the superfluity of shimmering pink hearts in the design skews this version toward the saccharine. (Picture book/fairy tale. 3-7)
Pub Date: Sept. 1, 2008
ISBN: 978-0-7636-3856-6
Page Count: 56
Publisher: Candlewick
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Aug. 1, 2008
BOOK REVIEW
BOOK REVIEW
For Berkner’s fans; there are much better books about children visiting imaginative lands.
Berkner’s children’s song gets the picture-book treatment with illustrations from Garoche.
What kid hasn’t made a massive pillow fort and imagined all sorts of adventures? Well, Berkner’s premise is that there is a land where everything is made of pillows, and three lucky children get to visit there. (They appear to be siblings, perhaps a blended family: Mom and one girl are black; Dad, one boy, and one girl are white.) The illustrations transition between depictions of obvious imaginative play in a bedroom to a fantasy world and back again at the end, when the parents peek in at the three asleep. Garoche’s art consists of photos of papercut artwork arranged in dioramas with some Photoshop details. Reminiscent of Michael Garland’s work (though more pastel in color) or that of Elly McKay (though less ethereal), the illustrations are a mixed bag, with layers and hard edges juxtaposed against all the pillows. The king and queen of the song are obviously stand-ins for the parents. Children who know the tune may not sit still for a reading, while those who don’t may wonder at the repeated refrain.
For Berkner’s fans; there are much better books about children visiting imaginative lands. (Picture book. 3-7)Pub Date: Nov. 7, 2017
ISBN: 978-1-4814-6467-3
Page Count: 32
Publisher: Simon & Schuster
Review Posted Online: Aug. 11, 2017
Kirkus Reviews Issue: Sept. 1, 2017
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A young boy wonders aloud to a rabbit friend what he will be when he grows up and imagines some outrageous choices. “Puddle stomper,” “bubble gum popper,” “mixing-bowl licker,” “baby-sis soother” are just some of the 24 inspiringly creative vocations Spinelli’s young dreamer envisions in this pithy rhymed account. Aided by Liao’s cleverly integrated full-bleed mixed-media illustrations, which radiate every hue of the rainbow, and dynamic typesetting with words that swoop and dive, the author’s perspective on this adult-inspired question yields some refreshingly child-oriented answers. Given such an irresistible array of options—“So many jobs! / They’re all such fun”—the boy in the end decides, in an exuberant double gatefold, “I’m going to choose… / EVERY ONE!”—a conclusion befitting a generation expected to have more than six careers each. Without parents or peers around to corral this carefree child’s dreams, the possibilities of being whatever one wants appear both limitless and attainable. An inspired take on a timeless question. (Picture book. 3-6)
Pub Date: March 1, 2010
ISBN: 978-0-316-16226-5
Page Count: 32
Publisher: Little, Brown
Review Posted Online: April 14, 2011
Kirkus Reviews Issue: Jan. 1, 2010
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