Laughs most definitely do not ensue, but Porter gets his bumbling, anomic antihero down to a T.
A gloomy but memorable tale by British novelist Porter, who likes his literature dark.
Porter’s previous novels have addressed death, metamorphosis, and monstrous figures out of British folklore who walk the mews and have permanent addresses. Here, his protagonist is younger and, though he comes over as tough, quite vulnerable. Midway into his teens, Shy has already been expelled from school, arrested, thrown out of his home. “He’s sprayed, snorted, smoked, sworn, stolen, cut, punched, run, jumped, crashed an Escort, smashed up a shop, trashed a house, broken a nose, stabbed his stepdad’s finger, but it’s been a while since he’s crept” (that is, burgled). Now, in the doldrums of the mid-1990s, Shy finds himself in a program meaningfully called Last Chance, populated by fellow screw-ups and well-intentioned adults such as “Nice Andy the Bearded History Teacher” who want only to help Shy even as the lad finds ways to offend against both the law and polite discourse (as when he calls a visiting dignitary the C-word, asking whether being such is “part of the training for, like, becoming an MP”). This brief and sometimes oddly lyrical novel is spoken in numerous voices rendered in different typefaces, but Shy’s remains the chief voice even as he is nearly appalled into silence by a chance encounter with death in the form of two dead badgers: “Fuuuuuuck’s sake, he whines into his sleeve. Someone killed you?” Whether Shy will straighten up at the end of this slender, lyrical tale is anyone’s guess, but, touchingly, even the “dangerous young men” at Last Chance, assumed to be lost causes and incorrigible, encourage Shy at least to come to grips with his feelings. Porter does a fine job of inhabiting the mind of a teenager in ways that may remind readers of David Mitchell’s novel Black Swan Green, with all the confusion and lack of resolution that come with the territory.
Laughs most definitely do not ensue, but Porter gets his bumbling, anomic antihero down to a T.Pub Date: May 2, 2023
ISBN: 9781644452295
Page Count: 136
Publisher: Graywolf
Review Posted Online: March 13, 2023
Kirkus Reviews Issue: April 1, 2023
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.
The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.
Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.Pub Date: Oct. 18, 2022
ISBN: 978-1-668-00122-6
Page Count: 352
Publisher: Atria
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
SEEN & HEARD
SEEN & HEARD
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.
A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.
When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.Pub Date: Feb. 6, 2024
ISBN: 9781250178633
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Nov. 4, 2023
Kirkus Reviews Issue: Dec. 1, 2023
PERSPECTIVES
BOOK TO SCREEN
SEEN & HEARD
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