A lively and learned time-travel tale.
In this middle-grade debut novel, a young boy and several ghosts hope to clear the name of a disgraced ancestor.
Ten-year-old Jeremiah Morris lives in Manhattan with his parents; 13-year-old sister, Susanne; and their nanny, Phoebe. When summer vacation from school begins, the family flies to England to visit Papa and Nana, also known as the Earl and Countess Poppycock. While exploring the attic of the grand Poppycock estate, Jeremiah finds a trunk with a key in its lock. As he turns the key, a voice calls out, “Don’t be intrusive!” Soon, a vapor rises from the trunk, and he’s greeted by the ghost of his “nine-greats-grandmother—great said nine times,” Leila Wadsworth, who died in 1752. She relates the story of her son, Edgar, who was wrongfully hanged for a murder that someone else committed in 1744. St. Peter himself has ordered that Leila; her husband, Mortimer; and numerous other spectral members of the Wadsworth clan work to clear Edgar’s name. Leila recruits Jeremiah and Susanne and even invites the boy to travel back in time with her and Mortimer to 1744, the year the victim, Walter Johnson, lost his life. But the killer is also capable of using the Wadsworths’ ghostly status to the utmost advantage. For his tale, Foxton chases a historical mystery with the clear, logical thinking of a child. The first five chapters actually happen in New York, when Jeremiah is 7 and Papa visits. The earl spoils his grandchildren, and the author teaches his audience lots of facts, including a detailed origin story for the Statue of Liberty. The narrative’s tone captures the unintentionally wry ways children speak, as when Jeremiah says of his airplane ride: “Cabin staff serve a meal. It tastes good mostly because I am hungry.” When Foxton’s characters reach the past, he highlights the 18th century’s most noticeable traits: Nobody bathes, and servants are nonentities. And yet Clive, Leila’s servant, says of his love of learning: “I try to better myself even though I am dead.” The author delights in spinning a yarn but enjoys just as much rendering a transporting period piece.
A lively and learned time-travel tale.Pub Date: Dec. 15, 2017
ISBN: 978-1-5320-2649-2
Page Count: 238
Publisher: iUniverse
Review Posted Online: April 10, 2018
Review Program: Kirkus Indie
PERSPECTIVES
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
An author to watch, Buehlman is now two for two in delivering eerie, offbeat novels with admirable literary skill.
Cormac McCarthy's The Road meets Chaucer's Canterbury Tales in this frightful medieval epic about an orphan girl with visionary powers in plague-devastated France.
The year is 1348. The conflict between France and England is nothing compared to the all-out war building between good angels and fallen ones for control of heaven (though a scene in which soldiers are massacred by a rainbow of arrows is pretty horrific). Among mortals, only the girl, Delphine, knows of the cataclysm to come. Angels speak to her, issuing warnings—and a command to run. A pack of thieves is about to carry her off and rape her when she is saved by a disgraced knight, Thomas, with whom she teams on a march across the parched landscape. Survivors desperate for food have made donkey a delicacy and don't mind eating human flesh. The few healthy people left lock themselves in, not wanting to risk contact with strangers, no matter how dire the strangers' needs. To venture out at night is suicidal: Horrific forces swirl about, ravaging living forms. Lethal black clouds, tentacled water creatures and assorted monsters are comfortable in the daylight hours as well. The knight and a third fellow journeyer, a priest, have difficulty believing Delphine's visions are real, but with oblivion lurking in every shadow, they don't have any choice but to trust her. The question becomes, can she trust herself? Buehlman, who drew upon his love of Fitzgerald and Hemingway in his acclaimed Southern horror novel, Those Across the River (2011), slips effortlessly into a different kind of literary sensibility, one that doesn't scrimp on earthy humor and lyrical writing in the face of unspeakable horrors. The power of suggestion is the author's strong suit, along with first-rate storytelling talent.
An author to watch, Buehlman is now two for two in delivering eerie, offbeat novels with admirable literary skill.Pub Date: Oct. 2, 2012
ISBN: 978-1-937007-86-7
Page Count: 432
Publisher: Ace/Berkley
Review Posted Online: Sept. 1, 2012
Kirkus Reviews Issue: Sept. 15, 2012
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