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THE PATCHWORK BIKE

Showcasing the fun to be had in a spare world, this book is just what many of us need right now.

A daring girl in a desert village enjoys riding her brother’s bike made of recycled materials in this unusual picture book by Clarke and political artist Rudd, an Australian import.

A young girl with dark skin, cornrows, and shiny sunglasses, wearing shorts, sneakers, and a T-shirt, introduces readers to “the village where we live inside our mud-for-walls home,” her “crazy brothers” who dance atop a police car, and her “fed-up mum,” who looks elegant in a white hijab and dress. The narrator shows readers the sand hill and the “big Fiori tree” where they play boisterously. “But the best thing of all in our village is me and my brothers’ bike.” The bike’s pieces are composed of a bucket seat, tin-can handlebars, wood-cut wheels, and other spare parts; the flag is a flour sack, and the bell is Mum’s milk pot. The license plate—a piece of bark—has “BLM” painted on it, a political statement that echoes an earlier image of the narrator’s brothers playing atop a junked police car. It’s a rugged ride over sand hills and fields and straight through the home (which perhaps explains why Mum is so fed up), and Rudd’s urban artwork is a fitting way to show it. Over a cardboard background, streaks of paint define the people, objects, and movements that make up the girl’s world. The kids in motion on their bike are rendered in an artful smear that evokes speed. The dark, bright, and desert hues create a blazing-hot world readers can almost step right into.

Showcasing the fun to be had in a spare world, this book is just what many of us need right now. (author’s note, illustrator’s note) (Picture book. 3-9)

Pub Date: Sept. 11, 2018

ISBN: 978-1-5362-0031-7

Page Count: 40

Publisher: Candlewick

Review Posted Online: July 29, 2018

Kirkus Reviews Issue: Aug. 15, 2018

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CARPENTER'S HELPER

Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story.

A home-renovation project is interrupted by a family of wrens, allowing a young girl an up-close glimpse of nature.

Renata and her father enjoy working on upgrading their bathroom, installing a clawfoot bathtub, and cutting a space for a new window. One warm night, after Papi leaves the window space open, two wrens begin making a nest in the bathroom. Rather than seeing it as an unfortunate delay of their project, Renata and Papi decide to let the avian carpenters continue their work. Renata witnesses the birth of four chicks as their rosy eggs split open “like coats that are suddenly too small.” Renata finds at a crucial moment that she can help the chicks learn to fly, even with the bittersweet knowledge that it will only hasten their exits from her life. Rosen uses lively language and well-chosen details to move the story of the baby birds forward. The text suggests the strong bond built by this Afro-Latinx father and daughter with their ongoing project without needing to point it out explicitly, a light touch in a picture book full of delicate, well-drawn moments and precise wording. Garoche’s drawings are impressively detailed, from the nest’s many small bits to the developing first feathers on the chicks and the wall smudges and exposed wiring of the renovation. (This book was reviewed digitally with 10-by-20-inch double-page spreads viewed at actual size.)

Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story. (Picture book. 3-7)

Pub Date: March 16, 2021

ISBN: 978-0-593-12320-1

Page Count: 40

Publisher: Schwartz & Wade/Random

Review Posted Online: Jan. 12, 2021

Kirkus Reviews Issue: Feb. 1, 2021

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THERE'S A ROCK CONCERT IN MY BEDROOM

Nice enough but not worth repeat reads.

Emma deals with jitters before playing the guitar in the school talent show.

Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)

Nice enough but not worth repeat reads. (Picture book. 4-6)

Pub Date: March 29, 2022

ISBN: 978-0-593-35207-6

Page Count: 40

Publisher: Razorbill/Penguin

Review Posted Online: Feb. 8, 2022

Kirkus Reviews Issue: March 1, 2022

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