by Maxine Hong Kingston ‧ RELEASE DATE: Sept. 8, 2003
A colorful meandering that is most original and compelling when it focuses on the author’s hard-won peace with her family.
A mix of memoir and fiction attempts to reconstruct a novel that burned—along with the author’s home and family keepsakes—in the terrible Oakland Hills fire of 1991.
“If a woman is to write a Book of Peace, it is given to her to know devastation,” NBA-winner Kingston (Tripmaster Monkey, 1989, etc.) begins in the eloquent first section, an account of the day that fire destroyed The Fourth Book of Peace, her novel-in-progress. It is also the day of her father’s funeral, and as Kingston drives home into the heart of the fire, she has two thoughts: either “the fire is to make us know Iraq” (it takes place during the first Gulf War), or “my father is trying to kill me, to take me with him.” Pursuing memories of her immigrant father in a series of free-associative leaps, she remembers the Chinese lore that he and her still-living, eccentric mother have imparted to her, much of it guidance for dealing with the aftermath of devastation. A few days later, at a conference, Kingston remembers the impetus for her lost novel—to rediscover the vanished Chinese texts of the legendary Three Books of Peace—and resolves to do two things to honor it: reconstruct the text, and initiate a series of writing workshops for Vietnam veterans. The rest rambles somewhat. The reconstructed novel, set during the Vietnam War, tracks a young family fleeing California for Hawaii to avoid the draft and has little plot beyond the characters’ opposition to the war; it feels rushed. The final section—a diaristic account of the workshops for vets—is well-meaning but lacks the splendid insights of Kingston’s best writing.
A colorful meandering that is most original and compelling when it focuses on the author’s hard-won peace with her family.Pub Date: Sept. 8, 2003
ISBN: 0-679-44075-5
Page Count: 416
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 2003
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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