Serviceable overall, but strong in its demonstration that Rogers was not just a good neighbor and a good friend to children,...
“The man who conveyed a Zen-like calm on television saw a psychiatrist for decades.” So writes Pittsburgh-based nonprofit CEO King at one of many points in which he emphasizes that the beloved star of Mister Rogers’ Neighborhood was a sometimes-contradictory fellow.
Fred Rogers (1928-2003) was no saint, given to occasional outbursts of anger and not above a little deception in order to get out of sticky situations, as when he tried to separate himself from a company he effectively owned during a strike. Raised in the hardscrabble Rust Belt, Rogers escaped, going to work as a floor manager in the early days of TV and making a mark with the 1951 production of Amahl and the Night Visitors, “a high point in NBC’s creative period.” He could have followed a path to an executive role with the network, but he returned to Pittsburgh and pioneered a different kind of TV aimed at children—different because, King writes, it actually respected its audience. Rogers was an emphatic and empathetic Christian who wanted to impart those values to his audience, but by the author’s account, he saw the world—or at least the show he built—with the eyes of a child and insisted that those who worked for him do the same. As a former producer noted, whenever anyone was reading aloud onscreen, the camera showed the words and tracked from left to right to mimic the path of the eyes in reading: “All those little tiny details were really important to Fred.” Though indifferently written and sometimes scattered, King’s book is resolute on the turns Rogers took in order to be sure that his show not be the usual pandering, cereal-selling child’s fare, passing up a fortune in the bargain. A bonus: the author’s revelation of the role Rogers played in getting Monty Python on the air in America.
Serviceable overall, but strong in its demonstration that Rogers was not just a good neighbor and a good friend to children, but also a very good man.Pub Date: Sept. 4, 2018
ISBN: 978-1-4197-2772-6
Page Count: 320
Publisher: Abrams
Review Posted Online: June 17, 2018
Kirkus Reviews Issue: July 1, 2018
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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