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WRATH GODDESS SING

This fresh perspective is valuable even if the swashbuckling style of the prose lands a little heavily on the page.

A retelling of the Iliad featuring an Achilles who's a trans woman.

Finding an elasticity in the story of the Iliad, Deane pits Achilles against Helen of Troy in the Trojan War. The book begins with Achilles hiding in Skyros with the princess Deidamia. Under Deidamia’s tutelage, and using special herbs, Achilles is transitioning from a male body to her true female self. Athena intervenes and transforms Achilles completely into her ideal female body so she can feel fulfilled in her real identity. Athena also grants Achilles' greatest desire—to have a child—by forging a womb in her center. The book holds close to the story of the Iliad in broad strokes but attempts to deliver a parallel journey for Achilles as she transitions and then explores the world of war while questioning what it means to be a woman and a man. Achilles thinks, “Once, her violent impulses had horrified her, evidence of a manhood that would inevitably consume everything she loved about herself. But on her journey to Skyros and here on the island, she had met her share of violent women and knew better.” Despite knowing better, when Achilles arrives at the battlefield and attempts to rescue Helen, she's caught off guard by the realization that Helen is not a damsel in distress but a megalomaniac, thrilled by her effect on the armies who fight one another with her name on their lips. Helen does not desire a quick end to war. She is also vicious about Achilles’ identity, saying, “Here’s an idea: when you die, I will erase you from history. I will make it so you were never a woman. Everyone will remember you as a man.” This book is Achilles’ fevered journey from womanhood to childbirth to death. The premise of the parallel journeys is effectively handled and integrated into the Homeric epic.

This fresh perspective is valuable even if the swashbuckling style of the prose lands a little heavily on the page.

Pub Date: June 7, 2022

ISBN: 978-0-06-316118-4

Page Count: 464

Publisher: Morrow/HarperCollins

Review Posted Online: May 24, 2022

Kirkus Reviews Issue: June 15, 2022

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THE WOMEN

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

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A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.

When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

Pub Date: Feb. 6, 2024

ISBN: 9781250178633

Page Count: 480

Publisher: St. Martin's

Review Posted Online: Nov. 4, 2023

Kirkus Reviews Issue: Dec. 1, 2023

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THE FAMILIAR

Lush, gorgeous, precise language and propulsive plotting sweep readers into a story as intelligent as it is atmospheric.

In 16th-century Madrid, a crypto-Jew with a talent for casting spells tries to steer clear of the Inquisition.

Luzia Cotado, a scullion and an orphan, has secrets to keep: “It was a game she and her mother had played, saying one thing and thinking another, the bits and pieces of Hebrew handed down like chipped plates.” Also handed down are “refranes”—proverbs—in “not quite Spanish, just as Luzia was not quite Spanish.” When Luzia sings the refranes, they take on power. “Aboltar cazal, aboltar mazal” (“A change of scene, a change of fortune”) can mend a torn gown or turn burnt bread into a perfect loaf; “Quien no risica, no rosica” (“Whoever doesn’t laugh, doesn’t bloom”) can summon a riot of foliage in the depths of winter. The Inquisition hangs over the story like Chekhov’s famous gun on the wall. When Luzia’s employer catches her using magic, the ambitions of both mistress and servant catapult her into fame and danger. A new, even more ambitious patron instructs his supernatural servant, Guillén Santángel, to train Luzia for a magical contest. Santángel, not Luzia, is the familiar of the title; he has been tricked into trading his freedom and luck to his master’s family in exchange for something he no longer craves but can’t give up. The novel comes up against an issue common in fantasy fiction: Why don’t the characters just use their magic to solve all their problems? Bardugo has clearly given it some thought, but her solutions aren’t quite convincing, especially toward the end of the book. These small faults would be harder to forgive if she weren’t such a beautiful writer. Part fairy tale, part political thriller, part romance, the novel unfolds like a winter tree bursting into unnatural bloom in response to one of Luzia’s refranes, as she and Santángel learn about power, trust, betrayal, and love.

Lush, gorgeous, precise language and propulsive plotting sweep readers into a story as intelligent as it is atmospheric.

Pub Date: April 9, 2024

ISBN: 9781250884251

Page Count: 400

Publisher: Flatiron Books

Review Posted Online: Feb. 3, 2024

Kirkus Reviews Issue: March 1, 2024

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