An intense and introspective exploration of trauma and survival.
A nonbinary, demisexual Maryland teenager comes to grips with the death of their mother and their own lifetime of struggle.
Will has just witnessed the death of their mother—if Frances was even worthy of that title; they haven’t called her Momma in a while. Will doesn’t feel bad that she died: Frances was terrible to them in life. Her death might mean a new start, but only if they can last the next four months until they turn 18 without being sent back to foster care. All Will wants is to live on their own terms and be reunited with former foster parent Raz, who was the mom Will wishes they could have had—Frances returned to take them away before Raz could adopt them. Will knows that they can make do on their salary and that best friend Hannah and her older brother are here to support them throughout this journey and all its ups and downs. Written in the second person, this work puts readers in Will’s shoes, following their harrowing story in a deeply personal way. Will’s life is one of perseverance and possessing the desire to move forward despite extreme hardship. The story also highlights how youths who have been through traumatic experiences can ultimately thrive. Agender Will doesn’t know who their father is and is implied biracial; the supporting cast is diverse in race and sexual orientation and identity.
An intense and introspective exploration of trauma and survival. (author’s note) (Fiction. 15-18)Pub Date: Oct. 31, 2023
ISBN: 9781662620171
Page Count: -
Publisher: Astra Young Readers
Review Posted Online: Aug. 26, 2023
Kirkus Reviews Issue: Sept. 15, 2023
BOOK REVIEW
A sparse, beautifully drawn story about a teen discovering her heritage.
In this YA graphic novel, an alienated Métis girl learns about her people’s Canadian history.
Métis teenager Echo Desjardins finds herself living in a home away from her mother, attending a new school, and feeling completely lonely as a result. She daydreams in class and wanders the halls listening to a playlist of her mother’s old CDs. At home, she shuts herself up in her room. But when her history teacher begins to lecture about the Pemmican Wars of early 1800s Saskatchewan, Echo finds herself swept back to that time. She sees the Métis people following the bison with their mobile hunting camp, turning the animals’ meat into pemmican, which they sell to the Northwest Company in order to buy supplies for the winter. Echo meets a young girl named Marie, who introduces Echo to the rhythms of Métis life. She finally understands what her Métis heritage actually means. But the joys are short-lived, as conflicts between the Métis and their rivals in the Hudson Bay Company come to a bloody head. The tragic history of her people will help explain the difficulties of the Métis in Echo’s own time, including those of her mother and the teen herself. Accompanied by dazzling art by Henderson (A Blanket of Butterflies, 2017, etc.) and colorist Yaciuk (Fire Starters, 2016, etc.), this tale is a brilliant bit of time travel. Readers are swept back to 19th-century Saskatchewan as fully as Echo herself. Vermette’s (The Break, 2017, etc.) dialogue is sparse, offering a mostly visual, deeply contemplative juxtaposition of the present and the past. Echo’s eventual encounter with her mother (whose fate has been kept from readers up to that point) offers a powerful moment of connection that is both unexpected and affecting. “Are you…proud to be Métis?” Echo asks her, forcing her mother to admit, sheepishly: “I don’t really know much about it.” With this series opener, the author provides a bit more insight into what that means.
A sparse, beautifully drawn story about a teen discovering her heritage.Pub Date: March 15, 2018
ISBN: 978-1-55379-678-7
Page Count: 48
Publisher: HighWater Press
Review Posted Online: Feb. 28, 2018
Kirkus Reviews Issue: May 1, 2018
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
Green seamlessly bridges the gap between the present and the existential, and readers will need more than one box of tissues...
He’s in remission from the osteosarcoma that took one of his legs. She’s fighting the brown fluid in her lungs caused by tumors. Both know that their time is limited.
Sparks fly when Hazel Grace Lancaster spies Augustus “Gus” Waters checking her out across the room in a group-therapy session for teens living with cancer. He’s a gorgeous, confident, intelligent amputee who always loses video games because he tries to save everyone. She’s smart, snarky and 16; she goes to community college and jokingly calls Peter Van Houten, the author of her favorite book, An Imperial Affliction, her only friend besides her parents. He asks her over, and they swap novels. He agrees to read the Van Houten and she agrees to read his—based on his favorite bloodbath-filled video game. The two become connected at the hip, and what follows is a smartly crafted intellectual explosion of a romance. From their trip to Amsterdam to meet the reclusive Van Houten to their hilariously flirty repartee, readers will swoon on nearly every page. Green’s signature style shines: His carefully structured dialogue and razor-sharp characters brim with genuine intellect, humor and desire. He takes on Big Questions that might feel heavy-handed in the words of any other author: What do oblivion and living mean? Then he deftly parries them with humor: “My nostalgia is so extreme that I am capable of missing a swing my butt never actually touched.” Dog-earing of pages will no doubt ensue.
Green seamlessly bridges the gap between the present and the existential, and readers will need more than one box of tissues to make it through Hazel and Gus’ poignant journey. (Fiction. 15 & up)Pub Date: Jan. 10, 2012
ISBN: 978-0-525-47881-2
Page Count: 272
Publisher: Dutton
Review Posted Online: Jan. 9, 2012
Kirkus Reviews Issue: Jan. 15, 2012
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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