A solid post-apocalypse/space-war action tale for sci-fi fans—who will likely imbibe the lean storytelling in big gulps.
A generation after a global nuclear war, surviving fragments of society in Ohio try to resurrect technology and defenses when Earth faces a looming menace from alien interlopers.
This fourth installment of a sci-fi series continues a saga in which three divergent, interstellar races collide in a cross-cultural mess of first contact catastrophic misunderstandings. This happens right after humanity backslides into the Dark Ages via a self-inflicted nuclear holocaust. When the lively narrative isn’t centered on exotic ETs—the salamanderlike Qu’uda or the insectoid Hoo-Lii—this volume offers a get-the-job-done yarn of dogged folks rebuilding remnants of North America in the decades following an atomic strike. With the unlikely new capital in Ohio (Buckeye State geography shoutouts abound), aging visionary leader Taylor MacPherson unites squabbling fiefdoms through the restoration of long-dormant electricity, industry, and transportation services—and, when necessary, diplomacy-cum–military conquest on horseback against unneighborly, bullying warlords. MacPherson’s indispensable ally is the alien Bilik “Billy Potato” Pudjata, a brilliant Qu’uda surgically altered by his exploratory spaceship crew to blend in with earthlings. (He is ultimately abandoned, along with four crew members, by the xenophobic Qu’uda in mothership orbit.) Bilik’s advanced science and clean-energy secrets permit humanity’s restoration of air travel and even a nascent space force—vital because the other Qu’uda, although war-wounded and in disarray deep in the solar system, aim to return and exterminate the human “savages.” How this resolves is effectively related by Wood (The Hoo-Lii Chronicles, 2019, etc.) exclusively through the barely comprehending (compound?) eyes of a Hoo-Lii expedition in Book 3. Replaying the events now is no less suspenseful, though the author has to span years of developments, battles, political intrigue, and Taylor’s melodramatic, tumultuous romantic life, giving the already hefty installment enough incidents for multiple volumes of its own. Going even wordier might have helped flesh out the characters and motivations, but this book still delivers breathless, addictive stuff. When one military guy looks forward to “making America great again,” the sentiment is sincere, not chuckleworthy.
A solid post-apocalypse/space-war action tale for sci-fi fans—who will likely imbibe the lean storytelling in big gulps.Pub Date: March 1, 2019
ISBN: 978-1-387-60261-2
Page Count: 535
Publisher: Faucett Publishing
Review Posted Online: March 29, 2019
Kirkus Reviews Issue: May 15, 2019
Review Program: Kirkus Indie
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
An author to watch, Buehlman is now two for two in delivering eerie, offbeat novels with admirable literary skill.
Cormac McCarthy's The Road meets Chaucer's Canterbury Tales in this frightful medieval epic about an orphan girl with visionary powers in plague-devastated France.
The year is 1348. The conflict between France and England is nothing compared to the all-out war building between good angels and fallen ones for control of heaven (though a scene in which soldiers are massacred by a rainbow of arrows is pretty horrific). Among mortals, only the girl, Delphine, knows of the cataclysm to come. Angels speak to her, issuing warnings—and a command to run. A pack of thieves is about to carry her off and rape her when she is saved by a disgraced knight, Thomas, with whom she teams on a march across the parched landscape. Survivors desperate for food have made donkey a delicacy and don't mind eating human flesh. The few healthy people left lock themselves in, not wanting to risk contact with strangers, no matter how dire the strangers' needs. To venture out at night is suicidal: Horrific forces swirl about, ravaging living forms. Lethal black clouds, tentacled water creatures and assorted monsters are comfortable in the daylight hours as well. The knight and a third fellow journeyer, a priest, have difficulty believing Delphine's visions are real, but with oblivion lurking in every shadow, they don't have any choice but to trust her. The question becomes, can she trust herself? Buehlman, who drew upon his love of Fitzgerald and Hemingway in his acclaimed Southern horror novel, Those Across the River (2011), slips effortlessly into a different kind of literary sensibility, one that doesn't scrimp on earthy humor and lyrical writing in the face of unspeakable horrors. The power of suggestion is the author's strong suit, along with first-rate storytelling talent.
An author to watch, Buehlman is now two for two in delivering eerie, offbeat novels with admirable literary skill.Pub Date: Oct. 2, 2012
ISBN: 978-1-937007-86-7
Page Count: 432
Publisher: Ace/Berkley
Review Posted Online: Sept. 1, 2012
Kirkus Reviews Issue: Sept. 15, 2012
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
