A satisfying wrap-up to a multispecies sci-fi saga that delivers plenty of aliens and clashes.
Humans and alien exiles must cooperate and mount a defense of Earth when hostile forces penetrate the solar system.
Wood (The Hoo-Lii Chronicles, 2019, etc.) concludes his Clash of the Aliens pentalogy with a military-diplomatic sci-fi novel. Newbies beware: Readers are presumed to be intimate with all four earlier volumes. Humanity has rebounded from a global nuclear war as spacefarers, thanks to hardworking survivors like Cleveland-area engineer Taylor MacPherson and timely technology copied from the Qu’uda, a salamanderlike, advanced alien race. Their stratified, xenophobic society led an interstellar exploratory team to abandon part of a Qu’uda expedition on semi-anarchic Earth. But more visitors have arrived—the insectoid Hoo-Lii, a hivelike matriarchy, personified by the imperious queen Suh-Joh. When her battle-damaged scout craft was welcomed without violence by Earth in previous narratives, Suh-Joh’s cultural point of view led her to the conclusion that the natives were unconditionally submitting to her as “new servants.” But there are far worse first contact problems. Suh-Joh is pursued under a death sentence by her fellow Hoo-Lii as a dangerous “heretic” and armadas of warships from their home world are on an attack vector for Earth. Meanwhile, MacPherson and his allies in the Space Force are under siege by homegrown political hacks. Backed by Chinese imperialist warlords who parrot Maoist propaganda of yesteryear, they are trying to force MacPherson and his pragmatic pals (human and alien) out of power. In this fast-paced, lively, and enjoyable finale, Wood offers a wide array of intrigues, battles, and retreats. MacPherson and numerous resourceful supporting characters whom series followers have come to know tend to blur in the whirlwind, and some significant names just seem to drop out altogether (or are killed in action without comment). But the author finds the breathing space—just barely—to deftly convey through various ET and human dialogues the bewilderment and ultimate Starfleet/Federation-esque good sense shown by three vastly different intelligent species learning to get along, despite their disagreements and misunderstandings.
A satisfying wrap-up to a multispecies sci-fi saga that delivers plenty of aliens and clashes.Pub Date: April 1, 2019
ISBN: 978-1-387-60262-9
Page Count: -
Publisher: Faucett Publishing LLC
Review Posted Online: May 30, 2019
Review Program: Kirkus Indie
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...
Another middle-aged mom in a muddle.
After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).Pub Date: July 1, 2002
ISBN: 0-345-45071-X
Page Count: 352
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2002
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