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BISHOP TAKES KNIGHT

A fun, fleshed-out fantasy with sympathetic main characters.

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A detective agency helps mutants created by radiation in this romantic fantasy thriller, the first in the Redclaw Origins series by Dean (Ghost of a Chance, 2018, etc.).

New York, 1955. Henrietta “Rhett” Bishop, a daughter of privilege whose father has gambled away the family fortune before taking his own life, must find a way to provide for herself. She takes a job at Redclaw Security, an unusual detective agency tasked with aiding the growing population of “shifters”—mutants created by radiation unleashed in the nuclear age. After Rhett proves her value to the firm during what she thought was an attempted robbery, her shifter boss sends her on a mission. Her target is Peter Knight, a nuclear scientist and widower whose wife died in a hit-and-run that looks like murder. He’s been blacklisted by the government for suspected Communist sympathies and has since dropped out of sight. Peter’s skills are highly desirable, however, and Rhett is sent to recruit him for Redclaw, though that’s not the only organization interested in him. She manages to locate Peter, and, with the promise that Redclaw will help him learn more about his wife’s death, she convinces him to join. Together they are sent after a stolen cache of artifacts hijacked en route to the Redclaw headquarters, artifacts that seem to have resurfaced in the Hamptons amid Rhett’s moneyed former crowd. Dean’s prose balances the urgency of romantic fantasy with the muscular rhythms of detective noir: “A quick glance at Knight showed he was losing his ability to maintain any part of his disguise. Even as I blanked on what to say to him, his face slowly morphed back into his own. I had no time to think it through. I just acted, grabbing Knight by the back of his neck and pulling him into a kiss, all the while fumbling behind me, clutch in hand, for the handle to the room beside us.” While the book relies heavily on archetypes, Dean does so with a winking self-awareness. Rhett and Peter are both well drawn and likable characters, and the blend of alien technology, shadowy organizations, hard-boiled sleuthing, and budding romance makes for a surprisingly compelling read.

A fun, fleshed-out fantasy with sympathetic main characters.

Pub Date: Sept. 8, 2019

ISBN: 978-1-69172-796-4

Page Count: 353

Publisher: Self

Review Posted Online: Jan. 24, 2020

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

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