An adolescent faces his family of liars with a spirit reminiscent of Holden Caulfield.
Fifteen-year-old Ian Daly is a curious combination of hard-bitten adolescent and walking blind spot, a naïve old soul who knows too much and not nearly enough.
Ian makes a compelling narrator, the heart and soul of Cassidy’s debut novel. In a sense, he’s so self-aware that he comes to realize he isn’t: “Thinking back, there had been so many signs, clues that for a less gullible person would’ve shown the man behind the curtain pulling the strings, but I either failed to notice or wasn’t able to.” In Ian’s defense, he comes from a family of adept string-pullers. As the novel begins, he accompanies his older sister to his father’s funeral, where they’re stunned to learn about the old man’s first wife. And there are more shocks to come. Staying at his aunt’s house for the weekend, Ian takes us tripping through one adeptly arranged flashback after another, using a dry sense of humor to make sense of a deceit-laden life. Was his dad really trying to find a killer job, or was he drinking away his life with women not his wives? Did Ian’s mom really not know what was going on, or was she lying to her son all along? Cassidy keeps such questions bubbling beneath the surface of the novel and Ian’s consciousness; as the boy slowly figures things out, we feel bilked for him. The novel’s vivid upstate New York universe of blue-collar neighborhoods gives Ian’s surroundings a heavy coat of realism, as do the insecurities, sexual and otherwise, suffered by Ian and his few friends. Ian is a worthy literary cousin of Holden Caulfield, another kid with little tolerance for fakes and phonies and too much hard-won skepticism for his age. The grown-ups have let Ian down; now he must create himself.
An adolescent faces his family of liars with a spirit reminiscent of Holden Caulfield.Pub Date: Jan. 5, 2021
ISBN: 978-1-61775-757-0
Page Count: 256
Publisher: Kaylie Jones/Akashic
Review Posted Online: Oct. 13, 2020
Kirkus Reviews Issue: Nov. 1, 2020
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
A pleasant if not entirely convincing tribute to the power of art.
A French art historian’s English-language fiction debut combines the story of a loving relationship between a grandfather and granddaughter with an enlightening discussion of art.
One day, when 10-year-old Mona removes the necklace given to her by her now-dead grandmother, she experiences a frightening, hour-long bout of blindness. Her parents take her to the doctor, who gives her a variety of tests and also advises that she see a psychiatrist. Her grandfather Henry tells her parents that he will take care of that assignment, but instead, he takes Mona on weekly visits to either the Louvre, the Musée d’Orsay, or the Centre Pompidou, where each week they study a single work of art, gazing at it deeply and then discussing its impact and history and the biography of its maker. For the reader’s benefit, Schlesser also describes each of the works in scrupulous detail. As the year goes on, Mona faces the usual challenges of elementary school life and the experiences of being an only child, and slowly begins to understand the causes of her temporary blindness. Primarily an amble through a few dozen of Schlesser’s favorite works of art—some well known and others less so, from Botticelli and da Vinci through Basquiat and Bourgeois—the novel would probably benefit from being read at a leisurely pace. While the dialogue between Henry and the preternaturally patient and precocious Mona sometimes strains credulity, readers who don’t have easy access to the museums of Paris may enjoy this vicarious trip in the company of a guide who focuses equally on that which can be seen and the context that can’t be. Come for the novel, stay for the introductory art history course.
A pleasant if not entirely convincing tribute to the power of art.Pub Date: Aug. 26, 2025
ISBN: 9798889661115
Page Count: 432
Publisher: Europa Editions
Review Posted Online: June 7, 2025
Kirkus Reviews Issue: July 15, 2025
SEEN & HEARD
SEEN & HEARD
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