Timely and heartening, packed with inspiration and lessons for institutions and the individuals trying to change them.
An in-depth look at the feminist crusades that took four Spanish-speaking countries by storm on either side of America’s #MeToo movement.
The “waves” of feminism familiar to American readers—both their defining issues and the dissonance and power struggles within them—rumble beneath Beatley’s reporting. But her focus is trained on specific, certainly imitable but tragically ignored successes of campaigns inspired by #NiUnaMenos—“Not one [woman] less.” With years on the ground in Argentina, Chile, Spain, and Mexico, the author draws the courageous women and the modern uprisings they led into global discussion, rooting their work in each country’s distinct context, with features carved by the influences of Catholicism, neoliberalism, brutal dictators, and border politics. The women span generations, each with her path to awakening not only to political engagement, but also more fundamentally to the notion of “feminism” itself. They relentlessly agitate for change, weaving particular concerns of their gender—like abortion rights, equitable education, sexual violence, and femicide—into ostensibly radical political agendas, commandeering the hallmarks of their cultures’ artistic expression in the service of social justice. Beatley’s balanced coverage pairs personal narratives and historical background with dramatic tension that conveys the unease and urgency with which the movement’s leaders operate—a foreboding familiar to any female reader who has walked alone late at night. Granting richness to these movements’ marches, occupations, and other initiatives; their histories and characters and nuances; but also the swells of astounding results and crushes of disappointments, she posits them as exceptionally effective in countering authoritarianism. Such dynamic grassroots movements, conceived of and justified both intellectually and emotionally, “are among the most vital democratic forces at work today,” she argues. Citizens, especially women, in countries across the globe would do well to embrace them as a model for future activism.
Timely and heartening, packed with inspiration and lessons for institutions and the individuals trying to change them.Pub Date: Aug. 4, 2026
ISBN: 9780143138440
Page Count: 384
Publisher: Penguin
Review Posted Online: June 1, 2026
Kirkus Reviews Issue: July 1, 2026
A virtuoso performance and an ode to an undervalued medium created by two talented artists.
The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.
Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.
A virtuoso performance and an ode to an undervalued medium created by two talented artists.Pub Date: Nov. 17, 2020
ISBN: 978-1-250-26289-9
Page Count: 272
Publisher: Celadon Books
Review Posted Online: Aug. 30, 2020
Kirkus Reviews Issue: Sept. 15, 2020
PERSPECTIVES
Sedaris at his darkest—and his best.
In which the veteran humorist enters middle age with fine snark but some trepidation as well.
Mortality is weighing on Sedaris (Theft by Finding: Diaries 1977-2002, 2017, etc.), much of it his own, professional narcissist that he is. Watching an elderly man have a bowel accident on a plane, he dreaded the day when he would be the target of teenagers’ jokes “as they raise their phones to take my picture from behind.” A skin tumor troubled him, but so did the doctor who told him he couldn’t keep it once it was removed. “But it’s my tumor,” he insisted. “I made it.” (Eventually, he found a semitrained doctor to remove and give him the lipoma, which he proceeded to feed to a turtle.) The deaths of others are much on the author’s mind as well: He contemplates the suicide of his sister Tiffany, his alcoholic mother’s death, and his cantankerous father’s erratic behavior. His contemplation of his mother’s drinking—and his family’s denial of it—makes for some of the most poignant writing in the book: The sound of her putting ice in a rocks glass increasingly sounded “like a trigger being cocked.” Despite the gloom, however, frivolity still abides in the Sedaris clan. His summer home on the Carolina coast, which he dubbed the Sea Section, overspills with irreverent bantering between him and his siblings as his long-suffering partner, Hugh, looks on. Sedaris hasn’t lost his capacity for bemused observations of the people he encounters. For example, cashiers who say “have a blessed day” make him feel “like you’ve been sprayed against your will with God cologne.” But bad news has sharpened the author’s humor, and this book is defined by a persistent, engaging bafflement over how seriously or unseriously to take life when it’s increasingly filled with Trump and funerals.
Sedaris at his darkest—and his best.Pub Date: May 29, 2018
ISBN: 978-0-316-39238-9
Page Count: 288
Publisher: Little, Brown
Review Posted Online: Feb. 19, 2018
Kirkus Reviews Issue: March 1, 2018
PROFILES
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