written and illustrated by Meaghan Tosi , by Thomas Tosi ‧ RELEASE DATE: Sept. 20, 2022
A shiveringly good tale for ghost-story enthusiasts who like happy endings.
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Two siblings experience spooky consequences after taking a strange pumpkin home from the woods in this text-light, Halloween-themed graphic novel for middle-grade readers.
A young girl is playing Poohsticks on a bridge when her older sibling and their friend steal her teddy bear out of her backpack. She chases the pair into the nearby woods, where they encounter an odd trio of scarecrows. The sibling then discovers a pumpkin that shakes, is covered in goo, and is warm to the touch. The friend leaves, deciding that the situation’s too weird, but the siblings decide to take the pumpkin home. Teddy bear forgotten, the two siblings lug the pumpkin back to their house and find a warm spot for it atop the clothes dryer. Halloween is the next day, and at midnight, something magical happens in the woods; one of the scarecrows comes alive, realizes that the pumpkin is missing, sees the teddy bear, and tracks the children to their home. Illustrator Meaghan Tosi amps up the scares in this section; although the scarecrow won’t be too creepy for middle graders, the images of its angry eyes and clenched fists ratchet up the tension as its inevitable meeting with the children approaches. The result, however, is unexpected, with a sweet plot twist that’s reminiscent of other monster-subverting tales, such as Jorge Aguirre and Rafael Rosado’s Giants Beware (2012). The illustrator uses a subdued color palette to effectively communicate the different seasons (and, later, the spooky Halloween night). The story was originally the basis of a film written by author Thomas Tosi, and it translates beautifully to paneled storytelling; the illustrations capture the pacing perfectly, creating consistent suspense. The limited text requires readers to follow the art to understand the story, but Meaghan's clear, straightforward panel work flows cleanly across the pages. The simple vocabulary and brief dialogue exchanges make it accessible in a way that denser comics aren’t, making it a good selection for reluctant readers who like eerie adventures.
A shiveringly good tale for ghost-story enthusiasts who like happy endings.Pub Date: Sept. 20, 2022
ISBN: N/A
Page Count: 78
Publisher: Dooney Press
Review Posted Online: July 12, 2022
Kirkus Reviews Issue: Aug. 15, 2022
Review Program: Kirkus Indie
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by Thom Pico & Karensac ; translated by Anne Smith & Owen Smith ; illustrated by Karensac ‧ RELEASE DATE: March 2, 2021
Imaginative, feel-good fun.
More magical al fresco adventures abound!
In this full-color follow-up to Aster and the Accidental Magic (2020), Aster and her talking dog, Buzz, return in two new tales. In the first, “Why So Much Wool?” strange accidents repeatedly occur around Aster’s village, and upon investigation, she and Buzz discover a rogue band of muttonheaded sheep (known as the BAAAAAH-ligerent Army) led by a talking ram named Keras, who has proclaimed himself the Great Leader of the Sheep Revolution. Lucky for Aster, the dimwitted sheep are easily outsmarted, but not Keras, whom she must stop before he destroys her home. The second tale, “The End of Everything (and What Was Left),” focuses more on the natural magic from the previous volume. Each season has a royal who helps preserve the balance, passing along a crown to mark the transitions between their reigns. When the crown disappears, Aster ventures to the Labyrinth of Chimeras in an attempt to reforge it and restore the balance before the trickster Rapscallion can escape. This second outing pulls readers into a delightfully wrought world with a strong emphasis on nature and the outdoors and the real and imaginary magic contained therein. Joyous, effervescent illustrations mark this French import. For Aster aficionados, further journeys are hinted at in a subsequent volume in which Aster and her family travel to Japan. Aster and most human characters read as White.
Imaginative, feel-good fun. (Graphic fantasy. 8-12)Pub Date: March 2, 2021
ISBN: 978-0-593-12534-2
Page Count: 256
Publisher: Random House Graphic
Review Posted Online: Dec. 14, 2020
Kirkus Reviews Issue: Jan. 1, 2021
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by Thom Pico ; illustrated by Karensac ; translated by Anne Smith & Owen Smith
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by Nick Bruel ; illustrated by Nick Bruel ‧ RELEASE DATE: Dec. 29, 2020
This kid-friendly satire ably sets claws into a certain real-life franchise.
A trip to the Love Love Angel Kitty World theme park (“The Most Super Incredibly Happy Place on Earth!”) turns out to be an exercise in lowered expectations…to say the least.
When Uncle Murray wins a pair of free passes it seems at first like a dream come true—at least for Kitty, whose collection of Love Love Kitty merch ranges from branded underwear to a pink chainsaw. But the whole trip turns into a series of crises beginning with the (as it turns out) insuperable challenge of getting a cat onto an airplane, followed by the twin discoveries that the hotel room doesn’t come with a litter box and that the park doesn’t allow cats. Even kindhearted Uncle Murray finds his patience, not to say sanity, tested by extreme sticker shock in the park’s gift shop and repeated exposures to Kitty World’s literally nauseating theme song (notation included). He is not happy. Fortunately, the whole cloying enterprise being a fiendish plot to make people so sick of cats that they’ll pick poultry as favorite pets instead, the revelation of Kitty’s feline identity puts the all-chicken staff to flight and leaves the financial coffers plucked. Uncle Murray’s White, dumpy, middle-aged figure is virtually the only human one among an otherwise all-animal cast in Bruel’s big, rapidly sequenced, and properly comical cartoon panels.
This kid-friendly satire ably sets claws into a certain real-life franchise. (Graphic satire. 8-11)Pub Date: Dec. 29, 2020
ISBN: 978-1-250-20808-8
Page Count: 160
Publisher: Roaring Brook Press
Review Posted Online: Sept. 28, 2020
Kirkus Reviews Issue: Oct. 15, 2020
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by Nick Bruel ; illustrated by Nick Bruel
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by Nick Bruel ; illustrated by Nick Bruel
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by Nick Bruel ; illustrated by Nick Bruel
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