A flimsy romance tied to a flaccid murder mystery.
In this sequel to Size 12 Is Not Fat (2005), ex–pop star Heather Wells is about to get married, if only she can stop the murderer in the dorm.
Having been bilked out of her teeny-bopper fortune by her mother, and having lost fame to younger musical upstarts, Heather is rebuilding her life at New York College. It is the end of the summer, and Heather is an assistant director at Fischer Hall, organizing the work schedule for the resident advisers and preparing for the incoming freshmen and all their attendant complaints. Meanwhile, she’s planning for a gala wedding, at the Plaza no less, to Cooper Cartwright, a private detective who also happens to be a media heir. Too bad one of the RAs ends up dead. Alcohol poisoning? Asthma? Murder? When the medical examiner confirms foul play, Heather begins investigating (she is a criminology major, after all) but not without the inherent risks—the murderer may want to shut her up too. Perhaps everything can be traced back to Fischer Hall’s newest resident, “Rascally” Prince Rashid of Qalif, whose hard partying ways, menacing bodyguards and penchant for beautiful coeds could bring shame to the king if word got out. Meanwhile, Heather is trying to keep calm in the face of familial discord: In an attempt to heal the rift, Cooper’s sister Nicole invites Heather’s mother to the wedding. Now Heather is furious with both Nicole and her mother, who is hoping to move in with a less-than-forgiving daughter. Cabot, a megastar in the YA market, has written a number of novels for adults, but this feels misconceived—it's light and superficial yet concerns murder and sex. Though 30, Heather behaves like the teenagers she’s in charge of, making this whole concoction feel like an aspirational novel for a 16-year-old.
A flimsy romance tied to a flaccid murder mystery.Pub Date: Sept. 24, 2013
ISBN: 978-0-06-173479-3
Page Count: 304
Publisher: Morrow/HarperCollins
Review Posted Online: July 6, 2013
Kirkus Reviews Issue: July 15, 2013
Anyone who believes in true love or is simply willing to accept it as the premise of a winding tale will find this debut an...
True love flares between two people, but they find that circumstances always impede it.
On a winter day in London, Laurie spots Jack from her bus home and he sparks a feeling in her so deep that she spends the next year searching for him. Her roommate and best friend, Sarah, is the perfect wing-woman but ultimately—and unknowingly—ends the search by finding Jack and falling for him herself. Laurie’s hasty decision not to tell Sarah is the second painful missed opportunity (after not getting off the bus), but Sarah’s happiness is so important to Laurie that she dedicates ample energy into retraining her heart not to love Jack. Laurie is misguided, but her effort and loyalty spring from a true heart, and she considers her project mostly successful. Perhaps she would have total success, but the fact of the matter is that Jack feels the same deep connection to Laurie. His reasons for not acting on them are less admirable: He likes Sarah and she’s the total package; why would he give that up just because every time he and Laurie have enough time together (and just enough alcohol) they nearly fall into each other’s arms? Laurie finally begins to move on, creating a mostly satisfying life for herself, whereas Jack’s inability to be genuine tortures him and turns him into an ever bigger jerk. Patriarchy—it hurts men, too! There’s no question where the book is going, but the pacing is just right, the tone warm, and the characters sympathetic, even when making dumb decisions.
Anyone who believes in true love or is simply willing to accept it as the premise of a winding tale will find this debut an emotional, satisfying read.Pub Date: Oct. 16, 2018
ISBN: 978-0-525-57468-2
Page Count: 400
Publisher: Crown
Review Posted Online: July 30, 2018
Kirkus Reviews Issue: Aug. 15, 2018
BOOK REVIEW
BOOK REVIEW
BOOK TO SCREEN
To her usual mix of love, mystery, and passion, Roberts (Sanctuary, 1997, etc.)—author of 115 romancers in some 17 years—adds Renaissance art and a decidedly Medici-like family: the Joneses of Maine. Dr. Miranda Jones, nearly six feet with flaming red hair and a glacial reserve, is an archeometrist who specializes in the analyzing and dating of Renaissance bronze sculpture. Miranda hopes to secure a world-class reputation for herself by authenticating a 15th-century statue of the Dark Lady, one of the mistresses of Lorenzo the Magnificent, as the undiscovered work of a young Michelangelo. Miranda's mother, Dr. Elizabeth Standford-Jones, the emotionally remote director of the Standjo art lab in Florence, has summoned her daughter from the family's Victorian cliffside home in Jones Point, Maine, to test the statue. Meanwhile, Miranda's father, equally remote, is an archaeologist who spends more time at his digs than at home. In fact, no one in the Jones family has made a successful run at marriage, a failure that Miranda and her alcoholic brother Andrew call the Jones curse. As for the statue, when it's discovered to be a fake, Miranda sets out to prove that someone stole the original. In this she's helped by gorgeous art thief Ryan Boldari (half-Italian, half-Irish), who's come to Jones Point to steal yet another bronze, which also turns out to be a forgery. Ryan's plan had been to use Miranda as a pawn, but now, naturally, he finds himself falling hard for her. While the two search for bronzes, a standard-issue romance-novel psychotic is stalking them. Most readers will twig to the killer's identity: Here, as always, Roberts's sexual tension is more compelling than her suspense. Perhaps it's time to take a sabbatical from the pink sweatshop and turn her considerable wit and narrative skills to a more original piece of work.
Pub Date: March 23, 1998
ISBN: 0-399-14387-4
Page Count: 464
Publisher: Putnam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 1998
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