Production companies take note: We need a fully choreographed miniseries on a major streaming service ASAP.
With her father dying, a choreographer must face the betrayal that caused their estrangement nearly two decades earlier.
Carlisle Martin is in her early 40s, scratching out an uncertain living as a choreographer in Los Angeles. (“I can’t, at my age, still be becoming a person, can I?” Carlisle wonders.) One day, an unexpected call comes from James, her father’s partner. James tells Carlisle that her father, Robert, does not have long to live. Despite the fact that Carlisle has been estranged from both men for nearly 19 years, she feels compelled to visit their Bank Street apartment in Greenwich Village to say goodbye. Bank Street plays an outsized role in Carlisle’s imagination. She spent summers there in the 1980s and '90s, ensconced in the world of ballet—where Robert, James, and her mother were fixtures in the 1950s and '60s—and witnessing the impact of the AIDS epidemic on James and Robert’s large circle of friends. But a shocking turn of events when Carlisle is 24 changes her relationship not just with Robert and James, but with her own dreams and ambitions to be a dancer and with her sense of how her life will unfold. Howrey goes back and forth between Carlisle’s present and her past, risking tear-jerking sentiment but landing, like a flawless jeté, on the side of pitch-perfect poignancy. Howrey, a former dancer who joined the Joffrey Ballet when she was just a teenager, writes as movingly about the world of dance as any living author. Even better is her incisive and effortless writing about relationships—between parent and child, between queer lovers—in all their complex mess and beauty. “Agony is ordinary,” thinks Carlisle—this novel is anything but.
Production companies take note: We need a fully choreographed miniseries on a major streaming service ASAP.Pub Date: Nov. 15, 2022
ISBN: 978-0-385-54877-9
Page Count: 288
Publisher: Doubleday
Review Posted Online: Aug. 16, 2022
Kirkus Reviews Issue: Sept. 1, 2022
BOOK REVIEW
BOOK REVIEW
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
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