Absorbing poems that capture the majesty of nature and the complexity of women’s inner worlds.
A collection offers avian-themed poetry.
This volume combines bird imagery with narratives about girls and women. Kearney begins with two definitions of the word bird, which can mean the winged animal or, in British slang, a girl. A bird lover since childhood, the author delivers 51 poems, many inspired by 100 Birds and How They Got Their Names by Diana Wells. Kearney takes on the perspective of a newborn duckling in “Duckling, Swan”; reminisces about learning loon calls via cassette in “Loon”; and details the slaughter of penguins by sailors in “Penguins.” A poem about the 1940 fervor for Hollywood finches quickly turns into a cautionary tale for the speaker’s birth mother, then a young girl: “She didn’t yet know how a cage / can spring up around you, spirit you / away, and alone.” “Cardinal” describes a young woman’s flight from a convent while in “Heron,” a fearful girl escapes a dangerous man. Violence against women is the focus of a chilling poem titled “Bittern” while “Flicker” deals with infant abandonment. Kearney’s language is rich and evocative. She writes of an owl that “glides on wings silent / as a vole quivering / under snow” and a cormorant “luminous as an oil slick / in the sun.” Her poems are deceptively profound. The author uses the subject matter of birds as a conduit for plumbing emotional depths. A poem titled “Crow,” for example, does include tidbits about the bird, but it also reveals the speaker was given up for adoption and has newly connected with her biological sister: “Fact: crows can recognize human faces, / even remember them years later. / The first time I saw my mother in a photograph, / I thought it was some sort of trick / mirror. Hello, I said. I know you.”
Absorbing poems that capture the majesty of nature and the complexity of women’s inner worlds.Pub Date: April 1, 2021
ISBN: 978-1-94-458544-0
Page Count: 102
Publisher: WordWorks
Review Posted Online: May 22, 2021
Kirkus Reviews Issue: July 15, 2021
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Sharp writing, vivid characters, and puzzle box plotting bring the trilogy to a ringing conclusion.
A dark fantasy set on the Yale campus ends with a bang.
Galaxy “Alex” Stern of Lethe House, one of Yale’s storied secret societies, has been to hell and back. That was in Hell Bent (2023), the middle book in Bardugo’s Ninth House trilogy, where the secret societies wield not just temporal power but magic as well. Hell Bent ended with Alex and her friends rescuing her crush, mentor, and fellow Lethe officer, Daniel “Darlington” Arlington V, from eternal torment. One small wrinkle: The demon Golgarot used Alex’s blood to wedge a door open between Hell and New Haven, and his minions are slipping through. Also, one of the group has turned into a vampire, and Darlington is now half demon. “He’d given up some part of himself to preserve the rest of his human soul. He’d become both prisoner and warden.” As the final book opens, the exhausted crew are hunting yet another monster. They can’t keep this up forever; they will have to find a way to close the portal. Alex has the energetic, driven melancholy of the hard-boiled, dark fantasy heroine she is. She believes “magic is real, but safe is make-believe,” as her roommate puts it. An open hellmouth, a supportive scholar, a vampire whose story arcs precariously toward redemption, a gentleman fiend who gets literally horny when aroused, a California girl with rare supernatural powers who cracks wise as she fights fiends—the series has a lot in common with Buffy the Vampire Slayer and its spawn, but Bardugo’s way with words and her keen social observation keep the book from feeling derivative. A demon’s classic New England house is decorated with “ruthlessly inoffensive watercolor seascapes”; Lethe’s board president “wore the new uniform of Wall Street: a dress shirt, khakis, and a fleece with a Yale Y embroidered over the heart, as if he were on his way to a hostile takeover followed by some light rock climbing.” Will Alex and her friends get the door shut without losing Darlington? Bardugo injects her protagonist with such a convincing mix of cynicism and hope that failure seems like a distinct possibility.
Sharp writing, vivid characters, and puzzle box plotting bring the trilogy to a ringing conclusion.Pub Date: Sept. 15, 2026
ISBN: 9781250884312
Page Count: 496
Publisher: Flatiron Books
Review Posted Online: Sept. 15, 2026
Kirkus Reviews Issue: Nov. 1, 2026
The queen of social activist novels has done it again. Impressive, important, and fun to read.
The World Trade Center attacks are at the center of an intricate, twisty family drama spanning decades in both directions.
“You could brace for your sister to die of a terminal illness, only to have your healthy sibling killed in a random car wreck. You could carry a baby safely to term and then, on a bright blue day in September, walk into a building that collapsed beneath your feet.” Or you could be a character in a Jodi Picoult novel and face all of the above and much, much more. Fans of My Sister’s Keeper (2004) will notice a reference to that novel in the preceding quote and be glad to hear a character from that book is back. During the Covid-19 pandemic, former teenage delinquent Jesse Fitzgerald, now a detective on the Providence, Rhode Island, police force, meets Molly Ambrose, a 19-year-old prodigy who runs the state’s emergency preparedness and response program. “Despite the fact that there were fifteen years between us and we both had enough baggage to fill a cargo hold,” as Molly puts it, the two fall madly in love. The baggage she’s referring to includes, on her side, a mother who died on 9/11 when Molly was less than three months old. Picoult supplies her signature delightful banter and gift for depicting passion and romance to win the reader’s sympathy for this possibly questionable match between dedicated public servants, whose favorite game at bedtime is “Who can think of the most terrifying worst-case scenario?” Very little more can be revealed without spoilers, but trigger warnings for this book would be a long list indeed, ranging from suicide and filicide to rape and mental illness (welcome to Picoultland!). Subplots visit evangelical and Navajo cultures as well as the ins and outs of polygraphy. Make sure to read the afterword in which Picoult explains her real-life sources of inspiration.
The queen of social activist novels has done it again. Impressive, important, and fun to read.Pub Date: Sept. 15, 2026
ISBN: 9780593726259
Page Count: 464
Publisher: Ballantine
Review Posted Online: June 15, 2026
Kirkus Reviews Issue: July 15, 2026
SEEN & HEARD
PERSPECTIVES
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