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  • Kirkus Reviews'
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  • Pura Belpré Medal Winner

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YAQUI DELGADO WANTS TO KICK YOUR ASS

Far more than just a problem novel, this book sheds light on a serious issue without ever losing sight of its craft.

Awards & Accolades

Our Verdict

  • Our Verdict
  • GET IT


  • Kirkus Reviews'
    Best Books Of 2013


  • Pura Belpré Medal Winner

A nuanced, heart-wrenching and ultimately empowering story about bullying.

When 15-year old Piedad Sanchez's mother moves them to another part of Queens, Piddy is unprepared for the bullying that awaits her at her new school. Yaqui Delgado doesn’t know Piddy but decides she’s stuck-up and shakes her ass when she walks—accusations weighty enough to warrant a full-fledged bullying campaign. As her torments escalate, readers feel the intensity of Piddy’s terror in her increasingly panicked first-person narration. Interweaving themes of identity, escapism and body image, Medina takes what could be a didactic morality tale and spins it into something beautiful: a story rich in depth and heart. Piddy's ordeal feels 100 percent authentic; there are no easy outs, no simple solutions. Displaying a mature understanding of consequences and refreshingly aware (no deducing supporting characters’ feelings before the protagonist, here), Piddy also exhibits an age-appropriate sense of vulnerability. The prose is both honest ("growing up is like walking through glass doors that only open one way—you can see where you came from but can't go back") and exquisitely crafted ("Fear is my new best friend. It stands at my elbow in chilly silence").

Far more than just a problem novel, this book sheds light on a serious issue without ever losing sight of its craft. (Fiction. 13-18)

Pub Date: March 12, 2013

ISBN: 978-0-7636-5859-5

Page Count: 272

Publisher: Candlewick

Review Posted Online: Dec. 25, 2012

Kirkus Reviews Issue: Jan. 15, 2013

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THE WAY I USED TO BE

Eden’s emotionally raw narration is compelling despite its solipsism. (Fiction. 14-18)

In the three years following Eden’s brutal rape by her brother’s best friend, Kevin, she descends into anger, isolation, and promiscuity.

Eden’s silence about the assault is cemented by both Kevin’s confident assurance that if she tells anyone, “No one will ever believe you. You know that. No one. Not ever,” and a chillingly believable death threat. For the remainder of Eden’s freshman year, she withdraws from her family and becomes increasingly full of hatred for Kevin and the world she feels failed to protect her. But when a friend mentions that she’s “reinventing” herself, Eden embarks on a hopeful plan to do the same. She begins her sophomore year with new clothes and friendly smiles for her fellow students, which attract the romantic attentions of a kind senior athlete. But, bizarrely, Kevin’s younger sister goes on a smear campaign to label Eden a “totally slutty disgusting whore,” which sends Eden back toward self-destruction. Eden narrates in a tightly focused present tense how she withdraws again from nearly everyone and attempts to find comfort (or at least oblivion) through a series of nearly anonymous sexual encounters. This self-centeredness makes her relationships with other characters feel underdeveloped and even puzzling at times. Absent ethnic and cultural markers, Eden and her family and classmates are likely default white.

Eden’s emotionally raw narration is compelling despite its solipsism. (Fiction. 14-18)

Pub Date: March 22, 2016

ISBN: 978-1-4814-4935-9

Page Count: 384

Publisher: McElderry

Review Posted Online: Dec. 15, 2015

Kirkus Reviews Issue: Jan. 1, 2016

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SHADOWS OF PERL

From the House of Marionne series , Vol. 2

A romance born from danger with a fantastic buildup.

Secrets of the past and familial tensions abound in this sequel that teases forbidden romance.

Quell’s connection to her toushana, or dark magic, poses such a great threat to the magical Order of grand Houses, haughty debutantes, and high-stakes bureaucracy that the powerful Dragun brotherhood has determined she must die. Jordan, a former lover still hurt by Quell’s decision to bind to her toushana, is leading the charge—and unbeknownst to them both, Yagrin, his brother who has long hated the Order, has sided with Quell under false pretenses. The narration alternates among the voices of Quell, Jordan, and Nore, who wants a simpler life than her role as heir to the House of Ambrose can afford her; she’s dedicated to resolving this problem by any means necessary. The racially diverse cast of characters is large and at times unwieldy, but as Quell decides to leave the safe houses that have kept her hidden and reenter the world of lavish magical balls to find her long-lost mother, reminders of the earlier volume—beautiful gowns, cattiness, fish-out-of-water awkwardness—bring all the threads together, allowing for continued worldbuilding and a fuller story. Ultimately, Quell and Jordan’s tension boils over into the passionate romance it was always meant to be as the two partner with Yagrin and Nore to reveal the Order’s biggest secrets and potentially change the future of magic forever.

A romance born from danger with a fantastic buildup. (author’s note, histories of the houses, map, lexicon) (Fantasy. 13-18)

Pub Date: Sept. 3, 2024

ISBN: 9780593527733

Page Count: 448

Publisher: Razorbill/Penguin

Review Posted Online: July 4, 2024

Kirkus Reviews Issue: Aug. 1, 2024

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