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SINGING SONGS

Set in the Northwest in the mid-1960s, this disappointing debut novel by actress Tilly chronicles an abusive family from the point of view of one of the daughters. Anna, the second oldest of four children, is five years old when her harried mother, Jean, unwisely marries Richard Smith. He quickly brings his three children from another marriage for Jean to take care of; the growing family must struggle to stay out of poverty as, predictably, boorish Richard stops working and starts drinking. From there he sinks into a sexually abusive relationship with the girls, culminating in repeated rapes of Susan, Anna's older sister. This twisted situation is unconvincingly conveyed, right down to Jean's willful ignoring of her husband's continuing attacks on Susan. The day-to-day details of Anna's life overwhelm the fragile plot; instead of deepening our knowledge of her character, they only numb us to the real pain of the novel—the horror of abuse and deception. Tilly strives for the innocent yet knowing tone of a young girl, but Anna's voice is merely tiresome with its affected countryisms and deliberately cutesy grammatical errors. This, coupled with a vocabulary too advanced for her age (at five she uses words like ``nutrients'' and ``underbidding''), makes her a completely unreliable narrator. Neither Anna's uneven journey to a sense of self nor the painful story of a self-destructive family are successfully realized in this claustrophobic and unsurprising novel.

Pub Date: June 6, 1994

ISBN: 0-525-93778-1

Page Count: 256

Publisher: Dutton

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 1, 1994

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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